What does it mean to demonstrate in the streets, what is the significance of that collective activity so symptomatic of the twentieth century? In stupefaction Ulrich watches the demonstrators from the window; as they reach the foot of the palace, their faces turn up, turn furious, the men brandish their walking sticks, but “a few steps farther, at a bend where the demonstration seemed to scatter into the wings, most of them were already dropping their greasepaint: it would be absurd to keep up the menacing looks where there were no more spectators.” In the light of that metaphor, the demonstrators are not men in a rage; they are actors performing rage! As soon as the performance is over they are quick to drop their greasepaint! Later, in the 1960s, philosophers would talk about the modern world in which everything had turned into spectacle: demonstrations, wars, and even love; through this “quick and sagacious penetration” (Fielding), Musil had already long ago discerned the “society of spectacle.

Bass bands, flags, banners, parades, and monster demonstrations are no different in principle from ecclesiastical processions, cannonades, and fireworks to scare off demons. Only, the suggestive parade of State power engenders a collective feeling of security which, unlike religious demonstrations, give the individual no protection against his inner demonism. Hence he will cling all the more to the power of the State, i.e., to the mass, thus delivering himself up to it psychically as well as morally and putting the finishing touch to his social depotentiation. The State, like the Church, demands enthusiasm, self-sacrifice, and love, and if religion requires or presupposes the “fear of God,” then the dictator State takes good care to provide the necessary terror.

The principle of my school is quite different. In the other schools, techniques are displayed like merchandise adorned with colors and flowers, so they can be turned into a way of making a living, which is not the true way.

I attributed their behavior to the fact that they didn't have a TV, but television didn't teach you everything. Asking for candy on Halloween was called trick-or-treating, but asking for candy on November first was called begging, and it made people uncomfortable. This was one of the things you were supposed to learn simply by being alive, and it angered me that the Tomkeys did not understand it.

If you didn’t learn these things in order to demonstrate them in practice, what did you learn them for?

But entertainment has the merit not only of being better suited to helping sell goods; it is an effective vehicle for hidden ideological messages.24 Furthermore, in a system of high and growing inequality, entertainment is the contemporary equivalent of the Roman “games of the circus” that diverts the public from politics and generates a political apathy that is helpful to preservation of the status quo.

A trial is not a science fair, but rather a magic show. A show based on appearances and logical fallacies and sleight of hand. It isn’t about proof. It is about convincing the jury.

[23] Our situation is like that at a festival.* Sheep and cattle are driven to it to be sold, and most people come either to buy or to sell, while only a few come to look at the spectacle of the festival, to see how it is proceeding and why, and who is organizing it, and for what purpose. [24] So also in this festival of the world. Some people are like sheep and cattle and are interested in nothing but their fodder; for in the case of those of you who are interested in nothing but your property, and land, and slaves, and public posts, all of that is nothing more than fodder. [25] Few indeed are those who attend the fair for love of the spectacle, asking, ‘What is the universe, then, and who governs it? No one at all? [26] And yet when a city or household cannot survive for even a very short time without someone to govern it and watch over it, how could it be that such a vast and beautiful structure could be kept so well ordered by mere chance and good luck? [27] So there must be someone governing it. What sort of being is he, and how does he govern it? And we who have been created by him, who are we, and what were we created for? Are we bound together with him in some kind of union and interrelationship, or is that not the case?’ [28] Such are the thoughts that are aroused in this small collection of people; and from then on, they devote their leisure to this one thing alone, to finding out about the festival before they have to take their leave. [29] What comes about, then? They become an object of mockery for the crowd, just as the spectators at an ordinary festival are mocked by the traders; and even the sheep and cattle, if they had sufficient intelligence, would laugh at those who attach value to anything other than fodder!

Quod erat demonstrandum

The intelligent desire self-control; children want candy.

FLIES IN DISGUISE

Tell me,
Have you
Really seen
Flies in a child's eyes
Or heard their hungry cries
In the middle
Of the night?

Don't lie.

You can protest all you want
About peace
And genocide,
But unless you are willing
To take beatings for your fights,
Your display of trendy showmanship
Simply ain't right.

Go on,
Carry your useless signs
About an issue the world
Already abhors,
But it's TRUE
Heartfelt actions
That will prevent
Suits and
Senators
From creating
Any more wars.

THIS REVOLUTION IS FOR DISPLAY PURPOSES ONLY.

"Comedy is protest. It's "I beg to differ," if you're fancy, or if you're Jewish, "Hey, listen to this!

"The famous axiom "Show, don't tell" is the key. Never force words into a character's mouth to tell the audience about world, history, or person. Rather, show us honest, natural scenes in which human beings talk and behave in honest, natural ways...yet at the same time indirectly pass along the necessary facts. In other words, dramatize exposition. Dramatized exposition serves two ends: Its primary purpose is to further the immediate conflict. Its secondary purpose is to convey information. The anxious novice reverses that order, putting expositional duty ahead of dramatic necessity."