Apple cores, bits of old boots, watch-straps, overcoat buttons, rusted keys, everything, he coolly noted, that man may leave his mark by, was here, though it wasn’t so much this ‘icy museum of pointless existence’ that astonished him (for there was nothing remotely new about the particular range of exhibits), but the way this slippery mass snaking between the houses, like a pale reflection of the sky, illuminated everything with its unearthly, dull, silvery phosphorescence.

Das war ein seltsamer Raum, hergerichtet in einem einzigen Stile: bizarre Künstlerlaune. Etrurische und japanische Vasen, spanische Fächer und Dolche, chinesische Schirme und italienische Mandolinen, afrikanische Muschelhörner und kleine antike Statuen, bunte Rokkoko-Nippes und wächserne Madonnen, alte Kupferstiche und Arbeiten aus Meysenberg eigenem Pinsel, - das alles war im ganzen Raum auf Tischen, Etagèren, Konsolen und an den Wänden, welche überdies gleich dem Fußboden mit dicken orientalischen Teppichen und verblichenen gestickten Seidenstoffen bedeckt waren, in schreienden Zusammenstellungen arrangiert, welche gleichsam auf sich selbst mit Fingern wiesen.

There was too much going on here — too much that strayed from odd all the way over into seriously weird.

The whole room was like a museum of how people lived in olden times.

The fossils were sublime, but I found as much fascination in the odd paraphernalia of culture that, for various reasons, end up in museum drawers. Late eighteenth century apothecary boxes, thread cases from the mills of Lawrence, Victorian cigar boxes of gaudy Cuban design - all the better to house fossils.

I am a collection of the obsolete, a relic of the damned, of the lost and strayed. I am the waylaid pieces of history which sank out of sight in all of our pasts. Such an accumulation of riffraff has never before been imagined.

He was a victim of museum fatigue, Enoch told himself, overwhelmed by the many pieces of the unknown scattered all about him.

The Queen observed their weird behavior as she passed by another window — this one shaped like a huge letter X.

What virtue yet sleeps in this terra damnata and aged cinders, were petty magic to experiment. These crumbling relicks and long fired particles superannuate such expectations; bones, hairs, nails, and teeth of the dead, were the treasures of old sorcerers.

fascinating chains full of coloured seaweed, dead pipe-fish, fishing-net corks that looked good enough to eat – like lumps of rich fruit cake – bits of bottle-glass emeried and carved into translucent jewels by the tide and the sand,

Useless and precious objects. Taking up space. Taking up time.

I could tell I was at the gateway of a region half-bewitched through the piling-up of unbroken time-accumulations; a region where old, strange things have had a chance to grow and linger because they have never been stirred up.

Ours is a culture and a time immensely rich in trash as it is in treasures.

Looking up at the endless tiers of balconies, he felt uneasily like a visitor to a malevolent zoo where terraces of vertically mounted cages contained creatures of random and ferocious cruelty.