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View Plans“ ”One hardly knows which is the more appalling: the abjectness of the credulity or the flippancy of the scepticism. — Shaw's Preface
George Bernard Shaw (26 July 1856 – 2 November 1950), known at his insistence simply as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist with a range incorporating both contemporary satire and historical allegory. He wrote more than sixty plays, including such works as Man and Superman (1902), Pygmalion (1913) and Saint Joan (1923). Shaw was awarded the Nobel Prize in Literature in 1925.
Biography information from Wikiquote
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View PlansMarriage is the most licentious of human institutions — I say the most licentious of human institutions: that is the secret of its popularity.And a woman seeking a husband is the most unscrupulous of all the beasts of prey. The confusion of marriage with morality has done more to destroy the conscience of the human race than any other single error.
That is the injustice of a woman's lot. A woman has to bring up her children; and that means to restrain them, to deny them things they want, to set them tasks, to punish them when they do wrong, to do all the unpleasant things. And then the father, who has nothing to do but pet them and spoil them, comes in when all her work is done and steals
their affection from her.
HIGGINS [*snatching a chocolate cream from the piano, his eyes suddenly beginning to twinkle with mischief*] Have some chocolates, Eliza.
LIZA [*halting, tempted*] How do I know what might be in them? I've heard of girls being drugged by the like of you.
*Higgins whips out his penknife; cuts a chocolate in two; puts one half into his mouth and bolts it; and offers her the other half.*
HIGGINS. Pledge of good faith, Eliza. I eat one half: you eat the other. [*Liza opens her mouth to retort: he pops the half chocolate into it*]. You shall have boxes of them, barrels of them, every day. You shall live on them. Eh?
LIZA [*who has disposed of the chocolate after being nearly choked by it*] I wouldn't have ate it, only I'm too ladylike to take it out of my mouth.
(Act 2, Scene 1).