Sincerity itself is the railroad track.

Journeys are the midwives of thought. Few places are more conducive to internal conversations than a moving plane, ship or train. There is an almost quaint correlation between what is in front of our eyes and the thoughts we are able to have in our heads: large thoughts at times requiring large views, new thoughts new places. Introspective reflections which are liable to stall are helped along by the flow of the landscape. The mind may be reluctant to think properly when thinking is all it is supposed to do.

At the end of hours of train-dreaming, we may feel we have been returned to ourselves - that is, brought back into contact with emotions and ideas of importance to us. It is not necessarily at home that we best encounter our true selves. The furniture insists that we cannot change because it does not; the domestice setting keeps us tethered to the person we are in ordinary life, but who may not be who we essentially are.

If we find poetry in the service station and motel, if we are drawn to the airport or train carriage, it is perhaps because, in spite of their architectural compromises and discomforts, in spite of their garish colours and harsh lighting, we implicitly feel that these isolated places offer us a material setting for an alternative to the selfish ease, the habits and confinement of the ordinary, rooted world.

as I departed his sad life resembled the feeling when the train accelerates and the yard sinks safely behind; I am free and for some indefinite period, which while it lasts is as good as forever, my own sad life, with its rules, necessities and railroad bulls, will not be able to catch me.

Displaced Person’s Song

If you see a train this evening,
Far away, against the sky,
Lie down in your woolen blanket,
Sleep and let the train go by.

Trains have called us, every midnight,
From a thousand miles away,
Trains that pass through empty cities,
Trains that have no place to stay.

No one drives the locomotive,
No one tends the staring light,
Trains have never needed riders,
Trains belong to bitter night.

Railway stations stand deserted,
Rights-of-way lie clear and cold,
What we left them, trains inherit,
Trains go on, and we grow old.

Let them cry like cheated lovers,
Let their cries find only wind,
Trains are meant for night and ruin,
And we are meant for song and sin.

If you look at the people on this train, you will see that they are dressed much alike. The train itself is a standard product, and by means of it we travel from town to town selling products which are messengers of internationalism.

All Night, All Night

Rode in the train all night, in the sick light. A bird
Flew parallel with a singular will. In daydream's moods and
attitudes
The other passengers slumped, dozed, slept, read,
Waiting, and waiting for place to be displaced
On the exact track of safety or the rack of accident.

Looked out at the night, unable to distinguish
Lights in the towns of passage from the yellow lights
Numb on the ceiling. And the bird flew parallel and still
As the train shot forth the straight line of its whistle,
Forward on the taut tracks, piercing empty, familiar — The bored center of this vision and condition looked and
looked
Down through the slick pages of the magazine (seeking
The seen and the unseen) and his gaze fell down the well
Of the great darkness under the slick glitter,
And he was only one among eight million riders and
readers.

And all the while under his empty smile the shaking drum
Of the long determined passage passed through him
By his body mimicked and echoed. And then the train
Like a suddenly storming rain, began to rush and thresh — The silent or passive night, pressing and impressing
The patients' foreheads with a tightening-like image
Of the rushing engine proceeded by a shaft of light
Piercing the dark, changing and transforming the silence
Into a violence of foam, sound, smoke and succession.

A bored child went to get a cup of water,
And crushed the cup because the water too was
Boring and merely boredom's struggle.
The child, returning, looked over the shoulder
Of a man reading until he annoyed the shoulder.
A fat woman yawned and felt the liquid drops
Drip down the fleece of many dinners.

And the bird flew parallel and parallel flew
The black pencil lines of telephone posts, crucified,
At regular intervals, post after post
Of thrice crossed, blue-belled, anonymous trees.

And then the bird cried as if to all of us:

0 your life, your lonely life
What have you ever done with it,
And done with the great gift of consciousness?
What will yo

Sunrise is a necessary concomitant of long railway journeys, like hard-boiled eggs, illustrated papers, packs of cards, rivers upon which boats strain but make no progress.

Late night, and like a medal in the sky
The harvest moon was beaming down,
And, like a river, the solemnity
Of night arranged on the sleeping town.

- <i>Confession</i>

A journey is time suspended.

A bull market is like sex. It feels best just before it ends.

What he remembers with perfect clarity is sitting on a train headed for Madrid, feeling the sort of happiness he imagines spirits might feel, freed of their earthly bodies but still possessed of their essential selves.

Some days my heart beats so fast
my ribcage sounds like a fucking railroad track
and my breath is a train I just can't catch.

Fortune is like the market; where many times if you can stay a little, the price will fall.

You who go in railways are necessarily shut up in long valleys and even sometimes by the wall of earth. Even those who bicycle or drive see these sights but rarely and with consecution, since roads also avoid climbing save where they are forced to it, as over certain passes. It is only by following the straight line onwards that anyone can pass from ridge to ridge and have this full picture of the way he has been.