Generally speaking, by the way, that is the moral of the opponents of violence in politics: they renounce violence when it comes to introducing changes in what already exists, but in defense of the existing order they will not stop at the most ruthless acts.

City of prose and fantasy, of capitalist automation, its streets a triumph of cubism, its moral philosophy that of the dollar. New York impressed me tremendously because, more than any other city, it is the fullest expression of our modern age.

Thousands and thousands of books are thrown on the market every year
presenting some new variant of the personal romance, some tale of the vacillations
of the melancholic or the career of the ambitious. The heroine of Proust requires
several finely-wrought pages in order to feel that she does not feel anything. It
would seem that one might, at least with equal justice, demand attention to a
series of collective historic dramas which lifted hundreds of millions of human
beings out of nonexistence, transforming the character of nations and intruding
forever into the life of all mankind.