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What in life can love not penetrate? Mabel Hubbard, deaf since childhood, gave Alexander Bell a piano as a wedding gift and asked that he play it for her every day, as if his music could pierce her silence. Decades later, at Bell’s deathbed, it was his wife who made the sounds, saying the words, “Don’t leave me,” while he, no longer able to talk, used sign language to answer, No.

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Jobs tended to be deeply moved by artists who displayed purity, and he became a fan. He invited Ma to play at his wedding, but he was out of the country on tour. He came by the Jobs house a few years later, sat in the living room, pulled out his 1733 Stradivarius cello, and played Bach. “This is what I would have played for your wedding,” he told them. Jobs teared up and told him, “You playing is the best argument I’ve ever heard for the existence of God, because I don’t really believe a human alone can do this.” On

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In Memory of M. B.

Here is my gift, not roses on your grave,
not sticks of burning incense.
You lived aloof, maintaining to the end
your magnificent disdain.
You drank wine, and told the wittiest jokes,
and suffocated inside stifling walls.
Alone you let the terrible stranger in,
and stayed with her alone.
Now you’re gone, and nobody says a word
about your troubled and exalted life.
Only my voice, like a flute, will mourn
at your dumb funeral feast.
Oh, who would have dared believe that half-crazed I,
I, sick with grief for the buried past,
I, smoldering on a slow fire,
having lost everything and forgotten all,
would be fated to commemorate a man
so full of strength and will and bright inventions,
who only yesterday it seems, chatted with me,
hiding the tremor of his mortal pain.

He told me a story. A man buried his wife. At the gravesite he stood by the Reb, tears falling down his face. “I loved her,” he whispered. The Reb nodded. “I mean…I really loved her.” The man broke down. “And…I almost told her once.” The Reb looked at me sadly. “Nothing haunts like the things we don’t say.

"One call that I never will forget came at close to four A.M., waking me; he must have just gotten up in Los Angeles. His voice said, "Alex Haley?" I said, sleepily, "Yes? Oh, hey, Malcolm!" His voice said, "I trust you seventy percent" — and then he hung up. I lay a short time thinking about him and I went back to sleep feeling warmed by that call, as I still am warmed to remember it. Neither of us ever mentioned it."

The Autobiography of Malcolm X

"And the sound of your heart," he continued. "It's the most significant sound in my world. I'm so attuned to it now, I swear I could pick it out from miles away. But neither of these things matter. This," he said, taking my face in his hands. "You. That's what I'm keeping. You'll always be my Bella, you'll just be a little more durable."

Every word that he had spoken amongst the amassed beauties of Macmaster furnishings had been a link in a love-speech. It was not merely that he had confessed to her as he would have to no other soul in the world - 'To no other soul in the world,' he had said! - his doubts, his misgivings, and his fears; it was that every word he uttered and that came to her, during the lasting of that magic, had sung of passion. If he had uttered the word 'Come', she would have followed him to the bitter ends of the earth; if he had said, 'There is no hope', she would have known the finality of despair. Having said neither, she knew: 'This is our condition; so we must continue!' And she knew, too, that he was telling her that he, like her, was… oh, say, on the side of the angels.

His hand took hold of hers, and as she said something low in his ear he turned toward her with a rush of emotion. I think that voice held him most, with its fluctuating, feverish warmth, because it couldn’t be over-dreamed — that voice was a deathless song.

Pass this love on, he'd say.
It knows how to bend and will never break.
It's the only thing with a give and take,
The more it's used the more it makes.

That love is the bridge that will cross the river home.
He'd be standing in the dark with no one listening.
How time blows steadily through the city, the trees.
Sing to this earth, sing, he sang.

"From "Raymond Chandler Speaking"
On his wife, after her death-

"For 30 years, 10 months and four days, she was the light of my life, my whole ambition. Anything I did was just the fire for her to warm her hands at. That is all there is to say. She was the music heard faintly on the edge of sound.

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