The countenance is the portrait of the soul, and the eyes mark its intention.

The lines of his face were the longitude and latitude of his life.

Life's true face is the skull.

The face is the mirror of the mind, and eyes without speaking confess the secrets of the heart.

His very person and appearance were such as to strike the attention of the most casual observer. In height he was rather over six feet, and so excessively lean that he seemed to be considerably taller. His eyes were sharp and piercing, save during those intervals of torpor to which I have alluded; and his thin, hawk-like nose gave his whole expression an air of alertness and decision. His chin, too, had the prominence and squareness which mark the man of determination. His hands were invariably blotted with ink and stained with chemicals, yet he was possessed of extraordinary delicacy of touch, as I frequently had occasion to observe when I watched him manipulating his fragile philosophical instruments.

But which was the real me? Let me be perfectly honest: I was a man of many faces. (p.33)

The face is the soul of the body.

revealing the inner state of his personality, and

With much interest I sat watching him. Savage though he was, and hideously marred about the face — at least to my taste — his countenance yet had something in it which was by no means disagreeable. You cannot hide the soul. Through all his unearthly tattooings, I thought I saw the traces of a simple honest heart; and in his large, deep eyes, fiery black and bold, there seemed tokens of a spirit that would dare a thousand devils. And besides all this, there was a certain lofty bearing about the Pagan, which even his uncouthness could not altogether maim. He looked like a man who had never cringed and never had had a creditor.

n the face of a true friend a man sees as it were a second self......

...you’d think my own face would know me...

Who was the real me? I can only repeat: I was a man of many faces.

At meetings I was earnest, enthusiastic, and committed; among friends, unconstrained and given to teasing; with Marketa, cynical and fitfully witty; and alone (and thinking of Marketa), unsure of myself and as agitated as a schoolboy.

Was the last face the real one?

No. They were all real: I was not a hypocrite, with one real face and several false ones. I had several faces because I was young and didn’t know who I was or wanted to be. (I was frightened by the differences between one face and the next; none of them seemed to fit me properly, and I groped my way clumsily among them.)

Fate is written in the face.

It was a careworn face. But most of the lines, if followed back like a trail, would lead to happiness. To the faces a face made when laughing or smiling, or sitting quietly enjoying the day.

Though some of those lines led elsewhere. Into a wilderness, into the wild. Where terrible things had happened. Some of the lines of his face led to events inhuman and abominable. To horrific sights. To unspeakable acts.

Some of them his.

The lines of his face were the longitude and latitude of his life.