I had not lived there a week before my feet wore a path from my door to the pond-side; and though it is five or six years since I trod it, it is still quite distinct. It is true, I fear that others may have fallen into it, and so helped to keep it open. The surface of the earth is soft and impressible by the feet of men; and so with the paths which the mind travels. How worn and dusty, then, must be the highways of the world, how deep the ruts of tradition and conformity!

How I snuffed that Tartar air! — how I spurned that turnpike earth! — that common highway all over dented with the marks of slavish heels and hoofs; and turned me to admire the magnanimity of the sea which will permit no records.

hall satiate my ardent curiosity with the sight of a part of the world never before visited, and may tread a land never before imprinted by the foot of man

You, who have just crossed the Roof of the World, will not want to hear an account of the little hills that I saw — low, colorless hills. But to me they were living and the turf that covered them was a skin, under which their muscles rippled, and I felt that those hills had called with incalculable force to men in the past, and that men had loved them. Now they sleep — perhaps for ever. They commune with humanity in dreams.

The sky was as full of motion and change as the desert beneath it was monotonous and still, — and there was so much sky, more than at sea, more than anywhere else in the world. The plain was there, under one’s feet, but what one saw when one looked about was that brilliant blue world of stinging air and moving cloud. Even the mountains were mere ant-hills under it. Elsewhere the sky is the roof of the world; but here the earth was the floor of the sky. The landscape one longed for when one was away, the thing all about one, the world one actually lived in, was the sky, the sky!

The time that my journey takes is long and the way of it long.

I came out on the chariot of the first gleam of light, and pursued my voyage through the wildernesses of worlds leaving my track on many a star and planet.

It is the most distant course that comes nearest to thyself, and that training is the most intricate which leads to the utter simplicity of a tune.

The traveller has to knock at every alien door to come to his own, and one has to wander through all the outer worlds to reach the innermost shrine at the end.

My eyes strayed far and wide before I shut them and said `Here art thou!'

The question and the cry `Oh, where?' melt into tears of a thousand streams and deluge the world with the flood of the assurance `I am!

The world is so much larger than I thought. I thought we went along paths — but it seems there are no paths. The going itself is the path.

We may mount from this dull Earth; and viewing it from on high, consider whether Nature has laid out all her cost and finery upon this small speck of Dirt. So, like Travellers into other distant countries, we shall be better able to judge of what’s done at home, know how to make a true estimate of, and set its own value upon every thing. We shall be less apt to admire what this World calls great, shall nobly despise those Trifles the generality of Men set their Affections on, when we know that there are a multitude of such Earths inhabited and adorn’d as well as our own.

Of the Surface of Things

In my room, the world is beyond my understanding;
But when I walk I see that it consists of three or four
Hills and a cloud.

East of my grandmother's house the sun rises out of the plain. Once in his life a man ought to concentrate his mind upon remembered earth, I believe. He ought to give himself up to a particular landscape in his experience, to look at it from as many angles as he can, to wonder about it, to dwell upon it. He ought to imagine that he touches it with his hands at every season and listens to the sounds that are made upon it. He ought to imagine the creatures there and all the faintest motions of the wind. He ought to recollect the glare of noon and all the colors of the dawn and dusk.

Perched upon the stones of a bridge
The soldiers had the eyes of ravens
Their weapons hung black as talons
Their eyes gloried in the smoke of murder

To the shock of iron-heeled sticks
I drew closer in the cripple’s bitter patience
And before them I finally tottered
Grasping to capture my elusive breath

With the cockerel and swift of their knowing
They watched and waited for me
‘I have come,’ said I, ‘from this road’s birth,
I have come,’ said I, ‘seeking the best in us.’

The sergeant among them had red in his beard
Glistening wet as he showed his teeth
‘There are few roads on this earth,’ said he,
‘that will lead you to the best in us, old one.’

‘But you have seen all the tracks of men,’ said I
‘And where the mothers and children have fled
Before your advance. Is there naught among them
That you might set an old man upon?’

The surgeon among this rook had bones
Under her vellum skin like a maker of limbs
‘Old one,’ said she, ‘I have dwelt
In the heat of chests, among heart and lungs,

And slid like a serpent between muscles,
Swum the currents of slowing blood,
And all these roads lead into the darkness
Where the broken will at last rest.

‘Dare say I,’ she went on,‘there is no
Place waiting inside where you might find
In slithering exploration of mysteries
All that you so boldly call the best in us.’

And then the man with shovel and pick,
Who could raise fort and berm in a day
Timbered of thought and measured in all things
Set the gauge of his eyes upon the sun

And said, ‘Look not in temples proud,
Or in the palaces of the rich highborn,
We have razed each in turn in our time
To melt gold from icon and shrine

And of all the treasures weeping in fire
There was naught but the smile of greed
And the thick power of possession.
Know then this: all roads before you

From the beginning of the ages past
And those now upon us, yield no clue
To the secret equations you seek,
For each was built of bone and blood

And the backs of the slave did bow
To the laboured senten

TRAVEL Loving you, flesh to flesh, I often thought Of travelling penniless to some mud throne Where a master might instruct me how to plot My life away from pain, to love alone In the bruiseless embrace of stone and lake. Lost in the fields of your hair I was never lost Enough to lose a way I had to take; Breathless beside your body I could not exhaust The will that forbid me contract, vow, Or promise, and often while you slept I looked in awe beyond your beauty. Now I know why many men have stopped and wept Halfway between the loves they leave and seek, And wondered if travel leads them anywhere — Horizons keep the soft line of your cheek, The windy sky’s a locket for your hair.

The first thing we see as we travel round the world is our own filth, thrown into the face of mankind.

Think of a globe, a revolving globe on a stand. Think of a contour globe, whose mountain ranges cast shadows, whose continents rise in bas-relief above the oceans. But then: think of how it really is. These heights are just suggested; they’re there….when I think of walking across a continent I think of all the neighborhood hills, the tiny grades up which children drag their sleds. It is all so sculptured, three-dimensional, casting a shadow. What if you had an enormous globe that was so huge it showed roads and houses- a geological survey globe, a quarter of a mile to an inch- of the whole world, and the ocean floor! Looking at it, you would know what had to be left out: the free-standing sculptural arrangement of furniture in rooms, the jumble of broken rocks in the creek bed, tools in a box, labyrinthine ocean liners, the shape of snapdragons, walrus. Where is the one thing you care about in earth, the molding of one face? The relief globe couldn’t begin to show trees, between whose overlapping boughs birds raise broods, or the furrows in bark, where whole creatures, creatures easily visible, live our their lives and call it world enough. What do I make of all this texture? What does it mean about the kind of world in which I have been set down? The texture of the world, its filigree and scrollwork, means that there is a possibility for beauty here, a beauty inexhaustible in its complexity, which opens to my knock, which answers in me a call I do not remember calling, and which trains me to the wild and extravagant nature of the spirit I seek.