If the meaning of life has become doubtful, if one's relations to others and to oneself do not offer security, then fame is one means to silence one's doubts. It has a function to be compared with that of the Egyptian pyramids or the Christian faith in immortality: it elevates one's individual life from its limitations and instability to the plane of indestructability; if one's name is known to one's contemporaries and if one can hope that it will last for centuries, then one's life has meaning and significance by this very reflection of it in the judgments of others.

As for fame, fame felt like nothing. Fame was not a sensation like love or hunger or loneliness, welling from within and invisible to the outside eye. It was rather entirely external, coming from the minds of others. It existed in the way people looked at him or behaved towards him. In that, being famous was no different from being gay, or Jewish, or from a visible minority: you are who you are, and then people project onto you some notion they have.

Fame is a vapor, popularity is an accident, riches take wings, those who cheer today may curse tomorrow and only one thing endures - character.

Fame Imperishable and glory that will never die — that is what we march for!

I think there are different kinds of fame. There's fame which is plastic and about paparazzi and money and being rich, and then there's the fame, which is when no one knows who you are but everyone wants to know who you are.

Fame is a spiritual drug. It is often a by-product of our artistic work, but like nuclear waste, it can be a very dangerous by-product.

Fame is a form - perhaps the worst form - of incomprehension.

Fame or infamy, either one is preferable to being forgotten when you have passed from this realm.

Fame is foolish, it is pointless, meaningless. Even if the whole world knows you, how does it make you richer? How does it make your life more blissful? How does it help you to be more understanding, to be more aware? To be more alert, to be more alive?

"To Be the Famous..."

To be the famous isn’t attractive,
Not this could ever elevate,
You needn’t to make your archive active,
You needn’t your scripts to be all saved.

Self-offering’s aimed by creation,
But ballyhoo or cheap success,
It is a shame, if worthless persons
Are talks of towns’ populace.

But you’ve to live without phony,
To live such life that, after all,
To gain love of the space symphony,
And answer to the future’s call,

And oft to leave gaps in your traces
In fate, but in the papers, crooked,
To mark the chapters and main places
On margins of your being’s book,

To fully sink in the unknown,
And hide in it your own steps
Like hide itself, if mist is grown,
The whole landscape of the place.

The others, by the living traces,
Will pass your way through, bit by bit,
But wins and losses of your battles
You have not to discern on it.

You’ve never – not by fate or folly –
To lose an atom of your face,
But – be alive, alive and only,
Alive and only, till your last.

Fame was not real. It was all a projection — fame made me a blank canvas that people projected their love, lust, troubles, self-worth, and desire upon. Fame and power do not change us; they amplify us. If we are insecure, we grow more so. If we are addictive, we become a greater addict and insatiable. If we are desirous of truth, we seek it more. If we are generous, we become more so. If we seek to fill holes through dishonest means, we have greater access to do so. Fame and power are masterful teachers.

What is the end of Fame? 't is but to fill
A certain portion of uncertain paper:
Some liken it to climbing up a hill,
Whose summit, like all hills, is lost in vapour;
For this men write, speak, preach, and heroes kill,
And bards burn what they call their 'midnight taper,'
To have, when the original is dust,
A name, a wretched picture, and worse bust.

It is indeed a mortifying reflection to those who are actuated by the love of fame, so justly denominated the last infirmity of noble minds, that the wisest legislator and most exalted genius that ever reformed or enlightened the world can never expect such tributes of praise as are lavished on the memory of pretended saints, whose whole conduct was probably to the last degree odious or contemptible, and whose industry was entirely directed to the pursuit of objects pernicious to mankind. It is only a conqueror, a personage no less entitled to our hatred, who can pretend to the attainment of equal renown and glory.

The second death. To think that you died and no one would remember you. I wondered if this was why we tried so hard to make our mark in America. To be known. Think of how important celebrity has become. We sing to get famous; expose our worst secrets to get famous; lose weight, eat bugs, even commit murder to get famous. Our young people post their deepest thoughts on public web sites. They run cameras from their bedrooms. It’s as if we are screaming Notice Me! Remember Me! Yet the notoriety barely lasts. Names quickly blur and in time are forgotten.