Fear makes us fiction writers.

Unfortunately, an equally strong negative current — fear — is at work. Fear of writing gets planted in most Americans at an early age, usually at school, and it never entirely goes away. The blank piece of paper or the blank computer screen, waiting to be filled with our wonderful words, can freeze us into not writing any words at all, or writing words that are less than wonderful.

The most understandable trap is to wait for fear to subside before starting one’s journey. It doesn’t, won’t, and shouldn’t. Too much good writing comes from writers on the edge. Trying to defeat or portage around normal writing anxieties merely postpones the day when we confront our fears directly and find the courage to write.

A writer must teach himself that the basest of all things is to be afraid.

Any writing exposes writers to judgment about the quality of their work and their thought. The closer they get to painful personal truths, the more fear mounts — not just about what they might reveal but about what they might discover should they venture too deeply inside. To write well, however, that’s exactly where we must venture.

every new experience and in every new environment an individual will feel some degree of fear.

Authors always feel in danger of being abandoned by loved ones. This is a potent fear. Yet it's as inevitable as writer's cramp when we presume to write words for others to read.

A writer’s life is half ambition and half anxiety, and there has to be both. It is no good writing a novel and feeling fine, and it is no good writing a whole novel feeling miserable. It has to be both, that mixture of anxiety and ambition, and you get that with every novel, but more so when you write about these epics of human suffering. I felt that just as much when I wrote about the Gulag. Every writer knows what that is. The process goes… you have to think: ‘This novel I am writing is no good.’ Then you have to think: ‘All my novels are no good.’ And then, when you reach that point, you can begin.

A writer should always feel like he's in over his head

He is a writer. He makes the rest of them nervous.

[Writers] are feared by every tyrant — who shows his fear by burning the books and destroying the individuals.

But it is fantasy to think that successful writers do not have these bored, defeated hours, these hours of deep insecurity when one feels as small and jumpy as a water bug. They do. But they also often feel a great sense of amazement that they get to write, and they know that this is what they want to do for the rest of their lives.

If you lack confidence in setting one word after another and sense that you are stuck in a place from which you will never be set free, if you feel sure that you will never make it and were not cut out to do this, if your prose seems stillborn and you completely lack confidence, you must be a writer.

The fear of poetry is the fear.