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Nothing I did or said among the other boys came to me naturally. As a result, in every encounter, even the most glancing, I had to be a performer, for at all times I was aware I was impersonating a human being.

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I’ve played pianos, I’ve jumped on pianos, I’ve fallen off pianos and I’ve pushed a piano into the crowd, hit a member of the audience with it and spent the rest of the night frantically apologizing to them.

I’ve never sung anywhere without giving the people listening to me a chance to join in - as a kid, as a lefty, as a man touring the U.S.A. and the world, as an oldster. I guess it’s kind of a religion with me. Participation. That’s what’s going to save the human race.

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In a trio I had to provide a lot more of the sound, and I found that difficult because I didn’t really enjoy having to play so much. My technique altered quite a lot in that I started playing a lot more bar chords and hitting open strings to provide a kind of drone for my lead work.

I was asked to act when I couldn't act. I was asked to sing 'Funny Face' when I couldn't sing, and dance with Fred Astaire when I couldn't dance - and do all kinds of things I wasn't prepared for. Then I tried like mad to cope with it.

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