It is a strange world, a sad world, a world full of miseries, and woes, and troubles. And yet when King Laugh come, he make them all dance to the tune he play. Bleeding hearts, and dry bones of the churchyard, and tears that burn as they fall, all dance together to the music that he make with that smileless mouth of him. Ah, we men and women are like ropes drawn tight with strain that pull us different ways. Then tears come, and like the rain on the ropes, they brace us up, until perhaps the strain become too great, and we break. But King Laugh he come like the sunshine, and he ease off the strain again, and we bear to go on with our labor, what it may be.

Oh, friend John, it is a strange world, a sad world, a world full of miseries, and woes and troubles, and yet when King Laugh come he make them all dance to the tune he play.

Keep it always with you that laughter who knock at your door and say, 'May I come in?' is not the true laughter. No! he is a king, and he come when and how he like. He ask no person; he choose no time of suitability. He say, 'I am here.' ... Oh, friend John, it is a strange world, a sad world, a world full of miseries, and woes, and troubles; and yet when King Laugh come he make them all dance to the tune he play. Bleeding hearts, and dry bones of the churchyard, and tears that burn as they fall - all dance together to the music that he make with that smileless mouth of him. And believe me, friend John, that he is good to come, and kind. Ah, we men and women are like ropes drawn tight with strain that pull us different ways. Then tears come; and, like the rain on the ropes, they brace us up, until perhaps the strain become too great, and we break. But King Laugh he come like the sunshine, and he ease off the strain again; and we bear to go on with our labour, what it may be.

Laugh, and the world laughs with you;
Weep, and you weep alone;
For the sad old earth must borrow its mirth,
But has trouble enough of its own.

I have cried even when the laugh did choke me. But no more think that I am all sorry when I cry, for the laugh he come just the same. Keep it always with you that laughter who knock at your door and say, ‘May I come in?’ is not true laughter. No! He is a king, and he come when and how he like. He ask no person, he choose no time of suitability. He say, ‘I am here.

Laugh, and the world laughs with you;
Weep, and you weep alone;
For the sad old earth must borrow its mirth,
But has trouble enough of its own.
Sing, and the hills will answer;
Sigh, it is lost on the air;
The echoes bound to a joyful sound,
But shrink from voicing care.

Rejoice, and men will seek you;
Grieve, and they turn and go;
They want full measure of all your pleasure,
But they do not need your woe.
Be glad, and your friends are many;
Be sad, and you lose them all, — There are none to decline your nectared wine,
But alone you must drink life’s gall.

Feast, and your halls are crowded;
Fast, and the world goes by.
Succeed and give, and it helps you live,
But no man can help you die.
There is room in the halls of pleasure
For a large and lordly train,
But one by one we must all file on
Through the narrow aisles of pain.

All moves uncomprehendingly, and to the sound of laughter.

The world loved man when he smiled. The world became afraid of him when he laughed.

Keep it always with you that laughter who knock at your door and say, 'May I come in?' is not true laughter. No! He is a king, and he come when and how he like. He ask no person, he choose no time of suitability. He say, 'I am here.

If you could have looked into my heart then when I want to laugh, if you could have done so when the laugh arrived, if you could do so now, when King Laugh have pack up his crown, and all that is to him, for he go far, far away from me, and for a long, long time, maybe you would perhaps pity me the most of all.

Strike, with hand of fire, O weird musician, thy harp strung with Apollo's golden hair; fill the vast cathedral aisles with symphonies sweet and dim, deft toucher of the organ keys; blow, bugler, blow, until thy silver notes do touch and kiss the moonlit waves, and charm the lovers wandering 'mid the vine-clad hills. But know, your sweetest strains are discords all, compared with childhood's happy laugh — the laugh that fills the eyes with light and every heart with joy. O rippling river of laughter, thou art the blessed boundary line between the beasts and men; and every wayward wave of thine doth drown some fretful fiend of care. O Laughter, rose-lipped daughter of Joy, there are dimples enough in thy cheeks to catch and hold and glorify all the tears of grief.

"I've found out why people laugh. They laugh because it hurts so much... because it's the only thing that'll make it stop hurting"
...
But that's not all people laugh at."
Isn't it? Perhaps I don't grok all its fullness yet. But find me something that really makes you laugh sweetheart... a joke, or anything else- but something that gave you a a real belly laugh, not a smile. Then we'll see if there isn't a wrongness wasn't there." He thought. "I grok when apes learn to laugh, they'll be people."

I have often said, and oftener think, that this world is a comedy to those that think, a tragedy to those that feel – a solution of why Democritus laughed and Heraclitus wept.

he commences to laugh. Nobody can tell exactly why he laughs; there’s nothing funny going on. But it’s not the way that Public Relation laughs, it’s free and loud and it comes out of his wide grinning mouth and spreads in rings bigger and bigger till it’s lapping against the walls all over the ward. Not like that fat Public Relation laugh. This sounds real. I realize all of a sudden it’s the first laugh I’ve heard in years. He stands looking at us, rocking back in his boots, and he laughs and laughs. He laces his fingers