55 But I was born for peaceful roaming, For country calm and lack of strife; My lyre sings! And in the gloaming My fertile fancies spring to life. I give myself to harmless pleasures And far niente rules my leisures: Each morning early I’m awake To wander by the lonely lake Or seek some other sweet employment: I read a little, often sleep, For fleeting fame I do not weep. And was it not in past enjoyment Of shaded, idle times like this, I spent my days of deepest bliss?

The Quiet Life
by Alexander Pope (1688-1744)

Happy the man whose wish and care
A few paternal acres bound,
Content to breathe his native air
In his own ground.
Whose herds with milk, whose fields with bread,
Whose flocks supply him with attire;
Whose trees in summer yield him shade,
In winter fire.
Blest who can unconcern’dly find
Hours, days, and years slide soft away
In health of body, peace of mind,
Quiet by day,
Sound sleep by night; study and ease
Together mixt, sweet recreation,
And innocence, which most does please
With meditation.
Thus let me live, unseen, unknown;
Thus unlamented let me die;
Steal from the world, and not a stone
Tell where I lie.

I love the stillness of the wood;
I love the music of the rill:
I love the couch in pensive mood
Upon some silent hill.

Scarce heard, beneath yon arching trees,
The silver-crested ripples pass;
and, like a mimic brook, the breeze
Whispers among the grass.

Here from the world I win release,
Nor scorn of men, nor footstep rude,
Break into mar the holy peace
Of this great solitude.

Here may the silent tears I weep
Lull the vested spirit into rest,
As infants sob themselves to sleep
Upon a mothers breast.

But when the bitter hour is gone,
And the keen throbbing pangs are still,
Oh, sweetest then to couch alone
Upon some silent hill!

To live in joys that once have been,
To put the cold world out of sight,
And deck life's drear and barren scene
With hues of rainbow-light.

For what to man the gift of breath,
If sorrow be his lot below;
If all the day that ends in death
Be dark with clouds of woe?

Shall the poor transport of an hour
Repay long years of sore distress — The fragrance of a lonely flower
Make glad the wilderness?

Ye golden house of life's young spring,
Of innocence, of love and truth!
Bright, beyond all imagining,
Thou fairy-dream of youth!

I'd give all wealth that years have piled,
The slow result of Life's decay,
To be once more a little child
For one bright summer's day.

Fair Quiet, have I found thee here,
And Innocence, thy sister dear!
Mistaken long, I sought you then
In busy companies of men;
Your sacred plants, if here below,
Only among the plants will grow.
Society is all but rude,
To this delicious solitude.

I've learned to live simply, wisely

I've learned to live simply, wisely,
To look at the sky and pray to God,
And to take long walks before evening
To wear out this useless anxiety.

When the burdocks rustle in the ravine
And the yellow-red clusters of rowan nod,
I compose happy verses
About mortal life, mortal and beautiful life.

I return. The fluffy cat
Licks my palm and sweetly purrs.
And on the turret of the sawmill by the lake
A bright flame flares.

The quiet is cut, occasionally,
By the cry of a stork landing on the roof.
And if you were to knock at my door,
It seems to me I wouldn't even hear.
(English version by Judith Hemschemeyer
Original Language Russian)

What good does it do
to lie all day in the sun
loving what's easy?
It never grew easy,
but at least I grew peaceful:

<b>Solitude</b>

There is a charm in Solitude that cheers
A feeling that the world knows nothing of
A green delight the wounded mind endears
After the hustling world is broken off
Whose whole delight was crime at good to scoff
Green solitude his prison pleasure yields
The bitch fox heeds him not — birds seem to laugh
He lives the Crusoe of his lonely fields
Which dark green oaks his noontide leisure shields

I doubt sometimes whether a quiet and unagitated life would have suited me - yet I sometimes long for it.

A harmless life, she called a virtuous life,
A quiet life, which was not life at all . . .

There is scarcely any writer who has not celebrated the happiness of rural privacy, and delighted himself and his reader with the melody of birds, the whisper of groves, and the murmur of rivulets.

Crowded places, I shunned them as noises too rude
And fled to the silence of sweet solitude.
Where the flower in green darkness buds, blossoms, and fades,
Unseen of all shepherds and flower-loving maids — The hermit bees find them but once and away.
There I'll bury alive and in silence decay.

In mid-wood silence, thus, how sweet to be;
Where all the noises, that on peace intrude,
Come from the chittering cricket, bird, and bee,
Whose songs have charms to sweeten solitude.

"Fourth Meditation"

1

I was always one for being alone,
Seeking in my own way, eternal purpose;
At the edge of the field waiting for the pure moment;
Standing, silent, on sandy beaches or walking along green embankments;
Knowing the sinuousness of small waters:
As a chip or shell, floating lazily with a slow current...

Was it yesterday I stretched out the thin bones of my innocence?
O the songs we hide, singing only to ourselves!
Once I could touch my shadow, and be happy;
In the white kingdoms, I was light as a seed,
Drifting with the blossoms,
A pensive petal.

But a time comes when the vague life of the mouth no longer suffices;
The dead make more impossible demands from their silence;
The soul stands, lonely in its choice,
Waiting, itself a slow thing,
In the changing body.

The river moves, wrinkled by midges,
A light wind stirs in the pine needles.
The shape of a lark rises from a stone;
But there is no song.

Thou still unravish’d bride of quietness,
Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fring’d legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear’d,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!

Ah, happy, happy boughs! that cannot shed
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
For ever piping songs for ever new;
More happy love! more happy, happy love!
For ever warm and still to be enjoy’d,
For ever panting, and for ever young;
All breathing human passion far above,
That leaves a heart high-sorrowful and cloy’d,
A burning forehead, and a parching tongue.

Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead’st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea shore,
Or mountain-built with peaceful citadel,
Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul to tell
Why thou art desolate, can e’er return.

O Attic shape! Fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a fr