It was not my pain but Ann’s. She was crying, frightened. Because I was hurt. She was afraid for me. I felt her anguish. She was suffering terribly. I tried to will away the shadows but I couldn’t. Tried in vain to speak her name. Don’t cry, I thought. I’ll be all right. Don’t be afraid. I love you, Ann. Where are you?
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I cried so hard that if my present crying self could go back in time and see my other crying selves, it would slap them and say, “That shit’s not worth crying for.” My cry was not a cry of sadness. It was not catharsis. It wasn’t me feeling sorry for myself. It was an expression of raw pain that came from an inability of my body to express that pain in any other way, shape, or form. She was my mom. She was my teammate. It had always been me and her together, me and her against the world. When Andrew said, “shot her in the head,” I broke in two.
I remember the ache I used to feel when she got too close, how it felt like grief, how it felt like a loss, like I was falling, falling into nothing, how it clenched me up and made me want to weep, made me actually weep.
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I watched her cry — drown herself in a flood of tears. It is a great thing to be in the presence of a rational being who cries. A weak, broken creature shedding tears makes the same impression as an all-powerful god to whom one prays. In her weakness and defeat Amy was above human power.
Ai was exhausted and enraged. He looked ready to cry, but did not. I believe he considers crying either evil or shameful. Even when he was very ill and weak, the first days of our escape, he hid his face from me when he wept. Reasons personal, racial, social, sexual – how can I guess why Ai must not weep?
The tears of those who never cry, the calm, the levelheaded ones, are terrible to see. She seemed to be split or torn by the force of the tears, which she squeezed her eyes shut against, which she forced back with her fist against her lips. Smokey, afraid and awed, came immediately to her as he might to rescue his child from a fire, without thought and without knowing quite what he would do. When he tried to take her hand, speak softly to her, she only trembled more violently, the red cross branded on her face grew uglier; so he enveloped her, smothered the flames, Disregarding her resistance, as well as he could he covered her, having a vague idea that he could by tenderness invade her and then rout her grief, whatever it was, by main strength. He wasn't sure he wasn't himself the cause of it, wasn't sure if she would cling to him for comfort or break him in rage, but he had no choice anyway, savior or sacrifice, it didn't matter so long as she could cease suffering.
"When he said that, my body just let go. I remember the exact traffic light I was at. For a moment there was a complete vacuum of sound and then I cried tears like I had never cried before. I collapsed in heaving sobs and moans. I cried as if every other thing I'd cried for in my life had been a waste of crying. I cried so hard that if my present crying seld could go back in time and see my other crying selves, it would slap them and say, "That's shit's not worth crying for." My cry was not a cry of sadness. It was not catharsis. It wasn't me feeling sad for myself. It was an expression of raw pain that came from an inability of my body to express that pain in any other way, shape or form. She was my mom. She was my teammate. It has always been me and her torgether, me and her against the world. When Andrew said, "shot her in the head," I broke in two."
Her name sprang to my lips at moments in strange prayers and praises which I myself did not understand. My eyes were often full of tears (I could not tell why) and at times a flood from my heart seemed to pour itself out into my bosom. I thought little of the future. I did not know whether I would ever speak to her or not or, if I spoke to her, how I could tell her of my confused adoration.
This is an evil dream, she thought. But if she were dreaming, why did it hurt so much?
She tried to ask the shadows, but they did not answer. Perhaps they did not hear her. Perhaps they were not real.
Oh, you have choked me, but I gave you the leash.
You have gutted me, but I gave you the knife.
You have devoured me, but I laid myself across the fire.
I take myself back, fear.
You are not my shadow any longer,
I won't hold you in my hands.
You can't live in my eyes, my ears, my voice, my belly, or in my heart my heart
my heart my heart
But come here, fear
I am alive and you are so afraid
of dying.
You're afraid of the pain, you're afraid of the grief. You're afraid of the vulnerability that loving entails.
Sharp knives seemed to cut her delicate feet, yet she hardly felt them — so deep was the pain in her heart.
She cried for the life she could not control. She cried for the mentor who had died before her eyes. She cried for the profound loneliness that filled her heart. But, above all, she cried for the future … which suddenly felt so uncertain.
Now it has been said from ancient times that all women who weep may be divided into three sorts. There are those who lift up their voices and their tears flow and this may be called crying; there are those who utter loud lamentations but whose tears do not flow and this may be called howling; there are those whose tears flow but who utter no sound and this may be called weeping. Of all those women who followed Wang Lung in his coffin, his wives and his sons’ wives and his maid servants and his slaves and his hired mourners, there was only one who wept and it was Pear Blossom.
Trust not a woman when she weeps, for it is her nature to weep when she wants her will.
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