By introducing these elements at the outset, I wish to stress that all creative activity grows, first, out of the relationships between an individual and the objective world of work and, second, out of the ties between an individual and other human beings.
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The truth is that creative activity is one that involves the entire self - our emotions, our levels of energy, our characters, and our minds.
Csikszentmihalyi suggests that the common idea of a creative individual coming up with great insights, discoveries, works, or inventions in isolation is wrong. Creativity results from a complex interaction between a person and their environment or culture, and also depends on timing.
every individual will develop relations to other persons, to domains of accomplishment, and to his or her self.
Creativity is about connections, and connections are not made by siloing everything off into its own space. New ideas are formed by interesting juxtapositions, and interesting juxtapositions happen when things are out of place.
People frequently believe the creative life is grounded in fantasy. The more difficult truth is that creativity is grounded in reality, in the particular, the focused, the well observed or specifically imagined. As we lose our vagueness about our self, our values, our life situation, we become available to the moment. It is there, in the particular, that we contact the creative self. Until we experience the freedom of solitude, we cannot connect authentically. We may be enmeshed, but we are not encountered. Art lies in the moment of encounter: we meet our truth and we meet ourselves; we meet ourselves and we meet our self-expression. We become original because we become something specific: an origin from which work flows.
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Creativity is about connection — you must be connected to others in order to be inspired and share your own work — but it is also about disconnection. You must retreat from the world long enough to think, practice your art, and bring forth something worth sharing with others. You must play a little hide-and-seek in order to produce something worth being found.
For you to make your creative work creative, you must seek creativity from the creator.
The mainspring of creativity appears to be the same tendency which we discover so deeply as the curative force in psychotherapy — man’s tendency to actualize himself, to become his potentialities. By this I mean the directional trend which is evident in all organic and human life — the urge to expand, extend, develop, mature — the tendency to express and activate all the capacities of the organism, or the self. This tendency may become deeply buried under layer after layer of encrusted psychological defenses; it may be hidden behind elaborate façades which deny its existence; it is my belief however, based on my experience, that it exists in every individual, and awaits only the proper conditions to be released and expressed. It is this tendency which is the primary motivation for creativity as the organism forms new relationships to the environment in its endeavor most fully to be itself.
Creativity is just connecting things. When you ask creative people how they did something, they feel a little guilty because they didn’t really do it, they just saw something. It seemed obvious to them after a while. That’s because they were able to connect experiences they’ve had and synthesize new things. And the reason they were able to do that was that they’ve had more experiences or they have thought more about their experiences than other people. Unfortunately, that’s too rare a commodity. A lot of people in our industry haven’t had very diverse experiences. So they don’t have enough dots to connect, and they end up with very linear solutions without a broad perspective on the problem. The broader one’s understanding of the human experience, the better design we will have.
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The creative act is a letting down of the net of human imagination into the ocean of chaos on which we are suspended, and the attempt to bring out of it ideas.
It is the night sea journey, the lone fisherman on a tropical sea with his nets, and you let these nets down - sometimes, something tears through them that leaves them in shreds and you just row for shore, and put your head under your bed and pray.
At other times what slips through are the minutiae, the minnows of this ichthyological metaphor of idea chasing.
But, sometimes, you can actually bring home something that is food, food for the human community that we can sustain ourselves on and go forward.
Creativity should be integral to everything that we do. Creativity should also be intrinsic to our personality, if excellence is what we seek.
Any activity becomes creative when the doer cares about doing it right, or better.
In other words, the creative person does not strictly know what he or she is looking for. The whole activity, therefore, is not regarded as a problem that must be solved but simply as play itself. Within this play it is not taken for granted that new things must always be different or that they can never in any significant way be related to what came before. Indeed, it could be suggested that the more different things are, the greater may be the importance in seeing how they are similar, and likewise, the more similar things are, the greater may be the value in perceiving their difference. Science, according to this argument, is properly a continuous ongoing activity. Through creative play and fresh perception there is a constant movement of similarities and differences, with each new theory differing in some subtle but significant fashion from what came before. To sustain this creative activity of the mind,
By the creative act, however, we are able to reach beyond our own death. This is why creativity is so important and why we need to confront the problem of the relationship between creativity and death.
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