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"Scars"

They tell how it was, and how time
came along, and how it happened
again and again. They tell
the slant life takes when it turns
and slashes your face as a friend.

Any wound is real. In church
a woman lets the sun find
her cheek, and we see the lesson:
there are years in that book; there are sorrows
a choir can't reach when they sing.

Rows of children lift their faces of promise,
places where the scars will be.

William Stafford, <i>Americans’ Favorite Poems</i> edited by Maggie Dietz and Robert Pinsky (W. W. Norton & Company; 1st edition, November 1, 1999)

Our common experience in fact is the opposite — that the past, far from disappearing or lying down and being quiet, has an embarrassing and persistent way of returning and haunting us unless it has in fact been dealt with adequately. Unless we look the beast in the eye we find it has an uncanny habit of returning to hold us hostage.

You collect scars because you want proof that you are paying for whatever sins you've committed. And I know this because I've been doing the same damn thing for two hundred years. Tell me, do you think you will go to some blessed Afterworld, or do you expect a burning hell? You're hoping for hell — because how could you face them in the Afterworld? Better to suffer, to be damned for eternity and —

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