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When Hughes writes, in the first two lines of his poem, “Let America be America again/ Let it be the dream it used to be,” he acknowledges that America is primarily a dream, a hope, an aspiration, that may never be fully attainable, but that spurs us to be better, to be larger. He follows this with the repeated counterpoint, “America never was America to me,” and through the rest of this remarkable poem he alternates between the oppressed and the wronged of America, and the great dreams that they have for their country, that can never be extinguished.

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"America is a dream.
The poet says it was promises.
The people say it <i>is</i> promises — that will come true.
The people do not always say things out loud,
Nor write them down on paper.
The people often hold
Great thoughts in their deepest hearts
And sometimes only blunderingly express them,
Haltingly and stumbling say them,
And faultily put them into practice.
The people do not always understand each other.
But there is, somewhere there,
Always the <i>trying</i> to understand,
And the <i>trying</i> to say,
"You are a man. Together we are building our land.

I love America and I hate it. I'm torn between the two. I have two conflicting visions of America. One is a kind of dream landscape and the other is a kind of black comedy.

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America is not a pile of goods, more luxury, more comforts, a better telephone system, a greater number of cars. America is a dream of greater justice and opportunity for the average man and, if we can not obtain it, all our other
achievements amount to nothing.

What is this you bring my America?
Is it uniform with my country?
Is it not something that has been better told or done before?
Have you not imported this or the spirit of it in some ship?
Is it not a mere tale? a rhyme? a prettiness? — is the good old
cause in it?
Has it not dangled long at the heels of the poets, politicians,
literats, of enemies' lands?
Does it not assume that what is notoriously gone is still here?
Does it answer universal needs? will it improve manners?
Does it sound with trumpet-voice the proud victory of the Union
in that secession war?
Can your performance face the open fields and the seaside?
Will it absorb into me as I absorb food, air, to appear again in my
strength, gait, face?
Have real employments contributed to it? original makers, not
mere amanuenses?
Does it meet modern discoveries, calibres, facts, face to face?
What does it mean to American persons, progresses, cities? Chi-
cago, Kanada, Arkansas?
Does it see behind the apparent custodians the real custodians
standing, menacing, silent, the mechanics, Manhattanese,
Western men, Southerners, significant alike in their apathy,
and in the promptness of their love?
Does it see what finally befalls, and has always finally befallen, each
temporizer, patcher, outsider, partialist, alarmist, infidel,
who has ever ask'd any thing of America?

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"In prison, I fell in love with my country. I had loved her before then, but like most young people, my affection was little more than a simple appreciation for the comforts and privileges most Americans enjoyed and took for granted. It wasn't until I had lost America for a time that I realized how much I loved her.
"I loved what I missed most from my life at home: my family and friends; the sights and sounds of my own country; the hustle and purposefulness of Americans; their fervid independence; sports; music; information — all the attractive qualities of American life. But though I longed for the things at home I cherished the most, I still shared the ideals of America. And since those ideals were all that I possessed of my country, they became all the more important to me.

Out of the rack and ruin of our gangster death, The rape and rot of graft, and stealth, and lies, We, the people, must redeem The land, the mines, the plants, the rivers. The mountains and the endless plain — All, all the stretch of these great green states — And make America again!

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