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Calvin Coolidge in 1924 had signed into law radical restrictions on immigration, but not before publishing a stinging little essay in Good Housekeeping magazine titled “Whose Country Is This?” Immigration restrictions, Coolidge wrote under the Good Housekeeping Seal of Approval, were a necessary first step in walling off white America from “the vicious, the weak of body, the shiftless or the improvident.” These types, he implied, could be identified by nationality and skin color. “There are racial considerations too grave to be brushed aside for any sentimental reasons,” Coolidge wrote. “Biological laws tell us that certain divergent people will not mix or blend…. The unassimilated alien child menaces our children.

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Presaging the disparities that led to mass incarceration in our era, the abolitionist minister William Goodell observed the quandary of black people in antebellum America. “He is accounted criminal for acts which are deemed innocent in others,” Goodell wrote in 1853, “punished with a severity from which all others are exempted. He is under the control of the law, though unprotected by the law, and can know law only as an enemy.

"Several centuries ago the greatest writer in history described the two most menacing clouds that hang over human government and human society as "malice domestic and fierce foreign war." We are not rid of these dangers but we can summon our intelligence to meet them.

Never was there more genuine reason for Americans to face down these two causes of fear. "Malice domestic" from time to time will come to you in the shape of those who would raise false issues, pervert facts, preach the gospel of hate, and minimize the importance of public action to secure human rights or spiritual ideals. There are those today who would sow these seeds, but your answer to them is in the possession of the plain facts of our present condition."

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Thomas Paine’s vision of the American is being profaned. What he wrote in 1791 is on the button in 2003: “Freedom had been hunted round the globe; reason was considered as rebellion; and the slavery of fear had made men afraid to think. But such is the irresistible nature of truth that all it asks, and all it wants, is the liberty of appearing. … In such a situation, man becomes what he ought. He sees his species, not with the inhuman idea of a natural enemy, but as a kindred.

While the Nazis praised “the American commitment to legislating racial purity,” they could not abide “the unforgiving hardness” under which “ ‘an American man or woman who has even a drop of Negro blood in their veins’ counted as blacks,” Whitman wrote. “The one-drop rule was too harsh for the Nazis.

"For it is a mad world and it will get madder if we allow the minorities, be they dwarf or giant, orangutan or dolphin, nuclear-head or water conservationalist, pro-computerologist or Neo-Luddite, simpleton or sage, to interfere with aesthetics. The real world is the playing ground for each and every group, to make or unmake laws. But the tip of the nose of my book or stories or poems is where their rights end and my territorial imperatives begin, run and rule. If Mormons do not like my plays, let them write their own. If the Irish hate my Dublin stories, let them rent typewriters. If teachers and grammar school editors find my jawbreaker sentences shatter their mushmilk teeth, let them eat stale cake dunked in weak tea of their own ungodly manufacture. If the Chicano intellectuals wish to re-cut my "Wonderful Ice Cream Suit" so it shapes "Zoot," may the belt unravel and the pants fall."

I farther assure this noble Duke, that I neither encouraged nor provoked that worthy citizen to seek for plenty, liberty, safety, justice or lenity, in the famine, in the prisons, in the decrees of convention, in the revolutionary tribunal, and in the guillotine of Paris, rather than quietly to take up with what he could find in the glutted markets, the unbarricadoed streets, the drowsy Old Bailey judges, or, at worst, the airy, wholesome pillory of Old England. The choice of country was his own taste. The writings were the effects of his own zeal. In spite of his friend Dr. Priestley, he was a free agent. I admit, indeed, that my praises of the British government loaded with all its encumbrances; clogged with its peers and its beef; its parsons and its pudding; its Commons and its beer; and its dull slavish liberty of going about just as one pleases, had something to provoke a Jockey of Norfolk [Thomas Paine], who was inspired with the resolute ambition of becoming a citizen of France, to do something which might render him worthy of naturalization in that grand asylum of persecuted merit.

"Having conditioned myself for a new political outlook, I could no longer accept in the old way the multi-colored, patchwork-quilt-like political map of Europe. The continent has known more than its share of wars and tears. It has had enough. Scanning the panorama of this long-suffering land and pondering on the common roots of such a multi-form but essentially common European civilization, I felt with growing acuteness the artificiality and temporariness of the bloc-to-bloc confrontation and the archaic nature of the "iron curtain." That was probably how the idea of a common European home came to my mind, and at the right moment this expression sprang from my tongue by itself."

Thomas Paine (1737 – 1809) published Common Sense in January 1776. Just two years before publishing his influential pamphlet, Paine emigrated from England to America in 1774. The pamphlet was hugely influential in swaying masses of colonists to join the cause for revolution. In the pamphlet’s easy-to-understand prose, Paine articulates why the colonists should break from British rule. Paine’s argument is simple: the time for independence from British rule is now. He argues for a complete separation from England.

That summer and into the fall and in the ensuing years to come, amid talk of Muslim bans, nasty women, border walls, and shithole nations, it was common to hear in certain circles the disbelieving cries, “This is not America,” or “I don’t recognize my country,” or “This is not who we are.” Except that this was and is our country and this was and is who we are, whether we have known or recognized it or not.

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If there is any political moral to be found in this world,” Stencil once wrote in his journal, “it is that we carry on the business of this century with an intolerable double vision. Right and Left; the hothouse and the street. The Right can only live and work hermetically, in the hothouses of the past, while outside the Left prosecute their affairs in the streets by manipulated mob violence. And cannot live but in the dreamscape of the future.
“What of the real present, the men-of-no-politics, the once-respectable Golden Mean? Obsolete; in any case, lost sight of. In a West of such extremes we can expect, at the very least, a highly ‘alienated’ populace within not many more years.

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