Thou still unravish’d bride of quietness,
Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fring’d legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear’d,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!

Ah, happy, happy boughs! that cannot shed
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
For ever piping songs for ever new;
More happy love! more happy, happy love!
For ever warm and still to be enjoy’d,
For ever panting, and for ever young;
All breathing human passion far above,
That leaves a heart high-sorrowful and cloy’d,
A burning forehead, and a parching tongue.

Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead’st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea shore,
Or mountain-built with peaceful citadel,
Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul to tell
Why thou art desolate, can e’er return.

O Attic shape! Fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a fr

The intelligible forms of ancient poets,
The fair humanities of old religion,
The Power, the Beauty, and the Majesty
That had their haunts in dale or piny mountain,
Or forest, by slow stream, or pebbly spring,
Or chasms and watery depths; all these have vanished;
They live no longer in the faith of reason;
But still the heart doth need a language; still
Doth the old instinct bring back the old names;
Spirits or gods that used to share this earth
With man as with their friend; and at this day
'Tis Jupiter who brings whate'er is great,
And Venus who brings every thing that's fair.

What hope is here for modern rhyme
To him, who turns a musing eye
On songs, and deeds, and lives, that lie
Foreshorten'd in the tract of time?

These mortal lullabies of pain
May bind a book, may line a box,
May serve to curl a maiden's locks;
Or when a thousand moons shall wane

A man upon a stall may find,
And, passing, turn the page that tells
A grief, then changed to something else,
Sung by a long-forgotten mind.

But what of that? My darken'd ways
Shall ring with music all the same;
To breathe my loss is more than fame,
To utter love more sweet than praise.

"The melody rose, unprofitably magical. It broke; it was resumed broken, not marching once from the cradle to the grave. The sadness of the incomplete — the sadness that is often Life, but should never be Art — throbbed in its disjected phrases, and made the nerves of the audience throb. Not thus had she played on the little draped piano at the Bertolini, and "Too much Schumann" was not the remark that Mr. Beebe had passed to himself when she returned."

"O past! O happy life! O songs of joy!
In the air, in the woods, over fields,
Loved! loved! loved! loved! loved!
But my mate no more, no more with me!
We two together no more."

-from "Out of the Cradle Endlessly Rocking"

Stone-cutters fighting time with marble, you fore defeated
Challengers of oblivion
Eat cynical earnings, knowing rock splits, records fall down,
The square-limbed Roman letters
Scale in the thaws, wear in the rain. The poet as well
Builds his monument mockingly;
For man will be blotted out, the blithe earth die, the brave sun
Die blind and blacken to the heart:
Yet stones have stood for a thousand years, and pained thoughts found
The honey of peace in old poems.

Still you think yourself lonely; in the silence of night
Your lament is heard by the stone, and flees from you often
To wail away from mortals on a wingéd wave to heaven.
Because the precious favorites never lived with you,
Who worshiped you, who once made stunning temples and cities
To wreathe your shores, and always searched and always missed,
For the wreath will always need its heroes, the consecrated ones
Glorified to eminence in the hearts of sensitive men.

Tell me, then, where is Athens? Above the urns of the masters
Is the most beloved of your cities, on the sacred shores,
In mourning for God, and collapsed completely into ashes,
Or is there still an indication from her that the skipper,
When he arrives, perhaps he will remember her and call?
In the columns that rose upward there, did nothing shine
Below but the figurines of God on castle rooftops?
Didn't people's voices, vociferous and wild, rustle
Through the agora, and rush away through the gateways of joy
Along the narrow lanes and down to the holiest of harbors?
.
.
.
Alas! It wanders in the night, it dwells as in Orcus,
With nothing godlike, our race. To their own bustle
Alone they are fastened, and in the raging workshop
Each hears only himself, and the wild ones with mighty arms
Work much without respite; yet ever more
Sterile, like the Furies, remains the toil of the poor.

The autumn winds rushing
Waft the leaves that are searest,
But our flower was in flushing,
When blighting was nearest.
Fleet foot on the correi,
Sage counsel in cumber,
Red hand in the foray,
How sound is thy slumber!
Like the dew on the mountain,
Like the foam on the river,
Like the bubble on the fountain,
Thou art gone, and for ever!

Hear the voice of the Bard!
Who Present, Past, & Future sees
Whose ears have heard,
The Holy Word,
That walk'd among the ancient trees.

Calling the lapsed Soul
And weeping in the evening dew:
That might controll,
The starry pole;
And fallen fallen light renew!

O Earth O Earth return!
Arise from out the dewy grass;
Night is worn,
And the morn
Rises from the slumberous mass.

Turn away no more:
Why wilt thou turn away
The starry floor
The watry shore
Is giv'n thee till the break of day.

When she had passed, it seemed like the ceasing of exquisite music.

You can't kill a minuet de la coeur. You may shut up the music book... but surely the minuet — the minuet itself is dancing itself away into the furthest stars, even as our minuet of the Hessian bathing places must be stepping itself still. Isn't there any heaven where old beautiful dances, old beautiful intimacies prolong themselves? Isn't there any Nirvana pervaded by the vain thrilling of instruments that have fallen into the dust of wormwood but that yet had frail, tremulous, and everlasting souls?

The songs have changed, but really they are still quite beautiful.
They have been concentrated in a smaller space, the space of the mind.
They are dark, now, with desolation and anguish.

And yet the notes recur. They hover oddly
in anticipation of silence.
The ear gets used to them.
The eye gets used to disappearances.

<i>You will not be spared, nor will what you love be spared.</i>

Science! true daughter of Old Time thou art!
Who alterest all things with thy peering eyes.
Why preyest thou thus upon the poet's heart,
Vulture, whose wings are dull realities?
How should he love thee? or how deem thee wise?
Who wouldst not leave him in his wandering
To seek for treasure in the jewelled skies,
Albeit he soared with an undaunted wing?
Hast thou not dragged Diana from her car?
And driven the Hamadryad from the wood
To seek a shelter in some happier star?
Hast thou not torn the Naiad from her flood,
The Elfin from the green grass, and from me
The summer dream beneath the tamarind tree?

And you, ye stars,
Who slowly begin to marshal,
As of old, the fields of heaven,
Your distant, melancholy lines!
Have you, too, survived yourselves?
Are you, too, what I fear to become?
You, too, once lived;
You, too, moved joyfully
Among august companions,
In an older world, peopled by Gods,
In a mightier order,
The radiant, rejoicing, intelligent Sons of Heaven.
But now, ye kindle
Your lonely, cold-shining lights,
Unwilling lingerers
In the heavenly wilderness,
For a younger, ignoble world;
And renew, by necessity,
Night after night your courses,
In echoing, unneared silence,
Above a race you know not — Uncaring and undelighted,
Without friend and without home;
Weary like us, though not
Weary with our weariness.