. . .sometimes reading the same page over and over, until one sleepy afternoon something clicked, like a lock unlocking, and she saw those printed doors swing open on a vast house of words.
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She could smell the pages. She could almost taste the words as they stacked up around her.
An Afternoon in the Stacks
Closing the book, I find I have left my head
inside. It is dark in here, but the chapters open
their beautiful spaces and give a rustling sound,
words adjusting themselves to their meaning.
Long passages open at successive pages. An echo,
continuous from the title onward, hums
behind me. From in here the world looms,
a jungle redeemed by these linked sentences
carved out when an author traveled and a reader
kept the way open. When this book ends
I will pull it inside-out like a sock
and throw it back in the library. But the rumor
of it will haunt all that follows in my life.
A candleflame in Tibet leans when I move.
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Learning to decipher words had only added to the pleasures of holding spines and turning pages, measuring the journey to the end with a thumb-riffle, poring over frontispieces. Books! Opening with a crackle of old glue, releasing perfume; closing with a solid thump. He liked them big; he liked them old; he liked them best in many volumes,
"She told me later that she had made a kind of note of me in her mind, as, scanning the shelf for a particular book, one will sometimes have one's attention caught by another, take it down, glance at the title page and saying "I must read that, too, when I've the time," replace it and continue the search."
Her soul belongs to words and books. Every time she reads she is home
As though she had entered a fable, as though she were no more than words crawling along a dry page, or as though she were becoming that page itself, that surface on which her story would be written and across which there blew a hot and merciless wind, turning her body to papyrus, her skin to parchment, her soul to paper.
She knew she was going to have trouble believing in herself, in the room of her house, and when she glanced over at this new book on her nightstand, stacked atop the one she finished last night, she reached for it automatically, as if reading were the singular and obvious first task of the day, the only viable way to negotiate the transit from sleep to obligation.
It was an odd experience, this bringing to life of pages born of my pen and forgotten. From time to time they interested me — they surprised me as much as if someone else had written them; yet I recognized the vocabulary, the shape of the sentences, the drive, the elliptical forms, the mannerisms. These pages were soaked through and through with my self — there was a sickening intimacy about it, like the smell of a bedroom in which one has been shut up too long.
This allowed her two glorious hours sitting quietly by herself in a cozy corner, devouring one book after another. When she had read every single children's book in the place, she started wandering round in search of something else.
When she came to write her story, she would wonder when the books and the words started to mean not just something, but everything.
Like the pages of a book soaked shut by time.
Their house had real hardcover books in it, and you often saw them lying open on the sofa, the words still warm from being read.
She said it out loud, the words distributed into a room that was full of cold air and books. Books everywhere! Each wall was armed with overcrowded yet immaculate shelving. It was barely possible to see paintwork. There were all different styles and sizes of lettering on the spines of the black, the red, the gray, the every-colored books. It was one of the most beautiful things Liesel Meminger had ever seen.
With wonder, she smiled.
That such a room existed!
Perhaps that might be the way to write this book — to open the page and to let the stories crawl in by themselves.
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