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How much more of the mosque, of prayer and fasting?
Better go drunk and begging round the taverns.
Khayyam, drink wine, for soon this clay of yours
Will make a cup, bowl, one day a jar.

When once you hear the roses are in bloom,
Then is the time, my love, to pour the wine;
Houris and palaces and Heaven and Hell-
These are but fairy-tales, forget them all.

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If anyone thinks that I amn't divine
He'll get no free drinks when I'm making the wine
But have to drink water and wish it were plain
That I make when the wine becomes water again.

Alcohol makes other people less tedious, and food less bland, and can help provide what the Greeks called <i>entheos</i>, or the slight buzz of inspiration when reading or writing. The only worthwhile miracle in the New Testament — the transmutation of water into wine during the wedding at Cana — is a tribute to the persistence of Hellenism in an otherwise austere Judaea. The same applies to the seder at Passover, which is obviously modeled on the Platonic symposium: questions are asked (especially of the young) while wine is circulated. No better form of sodality has ever been devised: at Oxford one was positively expected to take wine during tutorials. The tongue must be untied. It's not a coincidence that Omar Khayyam, rebuking and ridiculing the stone-faced Iranian mullahs of his time, pointed to the value of the grape as a mockery of their joyless and sterile regime. Visiting today's Iran, I was delighted to find that citizens made a point of defying the clerical ban on booze, keeping it in their homes for visitors even if they didn't particularly take to it themselves, and bootlegging it with great <i>brio</i> and ingenuity. These small revolutions affirm the human.

Bring the pure wine of
love and freedom.
But sir, a tornado is coming.
More wine, we'll teach this storm
A thing or two about whirling.

WINE comes in at the mouth
And love comes in at the eye;
That's all we shall know for truth
Before we grow old and die.
I lift the glass to my mouth,
I look at you, and sigh.

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<b>Charles Baudelaire: Get Drunk</b>
One should always be drunk. That's all that matters; that's our one imperative need. So as not to feel Time's horrible burden that breaks your shoulders and bows you down, you must get drunk without ceasing.

But what with? With wine, with poetry, or with virtue, as you choose. But get drunk.

And if, at some time, on the steps of a palace, in the green grass of a ditch, in the bleak solitude of your room, you are waking up when drunkenness has already abated, ask the wind, the wave, a star, the clock, all that which flees, all that which groans, all that which rolls, all that which sings, all that which speaks, ask them what time it is; and the wind, the wave, the star, the bird, the clock will reply: 'It is time to get drunk! So that you may not be the martyred slaves of Time, get drunk; get drunk, and never pause for rest! With wine, with poetry, or with virtue, as you choose!'
<i> — Charles Baudelaire, tr. Michael Hamburger</i>

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And when wine has soaked Cupid’s drunken wings,
he’s stayed, weighed down, a captive of the place.
...
Wine rouses courage and is fit for passion:
care flies, and deep drinking dilutes it.
...
Don’t trust the treacherous lamplight overmuch:
night and wine can harm your view of beauty.
Paris saw the goddesses in the light, a cloudless heaven,
when he said to Venus: ‘Venus, you win, over them both.’
Faults are hidden at night: every blemish is forgiven,
and the hour makes whichever girl you like beautiful.
Judge jewellery, and fabric stained with purple,
judge a face, or a figure, in the light.

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