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“ ”For me, as for many kids, words had a magical (and sometimes sexual) aura, and I would look up in my mother’s medical dictionary words such as <i>penis</i>, <i>intercourse</i>, or <i>homosexuality</i>, exciting words no matter how dispiriting the definition, exciting just because they appeared in print.
Edmund White (born January 13, 1940) is an American novelist, memoirist, and an essayist on literary and social topics. Much of his writing is on the theme of same-sex love. Probably his best-known books are The Joy of Gay Sex (1977) (written with Charles Silverstein) and his trio of autobiographic novels, A Boy's Own Story (1982), The Beautiful Room Is Empty (1988) and The Farewell Symphony (1997).
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Guy suddenly wanted to scald his face, gain fifty pounds, shear his hair. He was sick of his beauty, his “eternal” beauty. People thought he was purer, more intelligent, kinder, nobler than he was because they ascribed all these virtues to him. What if he were stripped of his looks, if he stabbed the grotesque painting in the attic? If they saw him for what he really was – empty-headed, vicieux (how did you translate that? “Riddled with vices?”), narcisse? Used to being indulged and pursued, terrified he’d outlive his fatal appeal and yet longing to be free of it?
The best explanation of masochism, the appeal of masochism, is that it accepts shame; the sickening shame one must swallow and hide is at last accepted, employed, even loved — the shame about a mutilation, hairiness, too much or not enough fat, the shame about wanting to serve, to be a dog, son, wife, slave, horse, prisoner.
I saw that the anger and hauteur of the past, which I’d accepted without interpreting, had been merely a counterpart to his isolation and the terrible shame he’d felt about the way he looked. If he couldn’t participate in the festivities of friendship and romance, then he’d burn the tents and poison the wells.