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“ ”Why not admit that my dissatisfaction reveals an excessive ambition, perhaps a megalomaniac delirium? For the writer who wants to annul himself in order to give voice to what is outside him, two paths open: either write a book that could be the unique book, that exhausts the whole in its pages; or write all books, to pursue the whole through its partial images. The unique book, which contains the whole, could only be the sacred text, the total world revealed. But I do not believe totality can be contained in language; my problem is what remains outside, the unwritten, the unwritable. The only way left me is that writing of all books, writing the books of all possible authors.
If I think I must write one book, all the problems of how this book should be and how it should not be block me and keep me from going forward. If, on the contrary, I think that I am writing a whole library, I feel suddenly lightened: I know that whatever I write will be integrated, contradicted, balanced, amplified, buried by the hundreds of volumes that remain for me to write.
Italo Calvino (October 15, 1923 – September 19, 1985) was an Italian journalist and writer of short stories and novels. Lionized in Britain and America, he was, at the time of his death, the most-translated contemporary Italian writer.
Biography information from Wikiquote
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A child's pleasure in listening to stories lies partly in waiting for things he expects to be repeated: situations, phrases, formulas. Just as in poems and songs the rhymes help to create the rhythm, so in prose narrative there are events that rhyme.
What makes lovemaking and reading resemble each other most is that within both of them times and spaces open, different from measurable time and space.
"Work stops at sunset. Darkness falls over the building site. The sky is filled with stars. "There is the blueprint," they say."