As always, one of her books was next to her.

We are always looking for the book it is necessary to read next.

Something must always remain that eludes us ... For power to have an object on which it can be exercised, a space in which to stretch out its arms ... As long as I know there exists in the world someone who does tricks only for the love of the trick, as long as I know there is a woman who loves reading for reading's sake, I can convince myself that the world continues ... And every evening I, too, abandon myself to reading, like that distant unknown woman ....

Right now she is reading Virginia Woolf, all of Virginia Woolf, book by book-She is fascinated by the idea of a woman like that, a woman of such brilliance, such strangeness, such immeasurable sorrow; a woman who had genius but still filled her pocket with a stone and waded out into a river.

As long as I know there exists in the world someone who does tricks only for the love of the trick, as long as I know there is a woman who loves reading for reading's sake, I can convince myself that the world continues...And every evening I, too, abandon myself to reading, like that distant unknown woman...

"I, too, feel the need to reread the books I have already read," a third reader says, "but at every rereading I seem to be reading a new book, for the first time. Is it I who keep changing and seeing new things of which I was not previously aware? Or is reading a construction that assumes form, assembling a great number of variables, and therefore something that cannot be repeated twice according to the same pattern? Every time I seek to relive the emotion of a previous reading, I experience different and unexpected impressions, and do not find again those of before. At certain moments it seems to me that between one reading and the next there is a progression: in the sense, for example, of penetrating further into the spirit of the text, or of increasing my critical detachment. At other moments, on the contrary, I seem to retain the memory of the readings of a single book one next to another, enthusiastic or cold or hostile, scattered in time without a perspective, without a thread that ties them together. The conclusion I have reached is that reading is an operation without object; or that its true object is itself. The book is an accessory aid, or even a pretext."

For books continue each other, in spite of our habit of judging them separately.

The woman in the dress was not a particularly fast reader. Despite it being the only thing she did, she would finish a book about once every two days.

She moved through it carrying her fat book, attracted, unsure, a stranger, wanting to feel relevant but knowing how much of a search among alternative universes it would take.

She knew she was going to have trouble believing in herself, in the room of her house, and when she glanced over at this new book on her nightstand, stacked atop the one she finished last night, she reached for it automatically, as if reading were the singular and obvious first task of the day, the only viable way to negotiate the transit from sleep to obligation.

If she loves books, there is nowhere she can’t go;

One book opens another.

But the transport of a novel, the false awareness of being within another time,
place and life that was the pleasure of reading, for her, was not possible. She
was in another time, place, consciousness; it pressed in upon her and filled her as someone’s breath fills a balloon’s shape. She was already not what she was. No fiction could compete with what she was finding she did not know, could not have imagined or discovered through imagination.

She picked up her book and tried to read but it was heavy in her hands. She struggled to hold it, wanting to finish the story, wanting to know how it ended. She was afraid she'd run out of time before she ran out of book.