Joking is a barrier between man and the world. Joking is the enemy of love and poetry.

A joke is an epigram on the death of a feeling.

A joke is a very serious thing.

Humor is really laughing off a hurt, grinning at misery.

The only intelligent tactical response to life’s horror is to laugh defiantly at it

It is — or seems to be — a wise sort of thing, to realise that all that happens to a man in this life is only by way of joke, especially his misfortunes, if he have them. And it is also worth bearing in mind, that the joke is passed round pretty liberally & impartially, so that not very many are entitled to fancy that they in particular are getting the worst of it.

Practical jokes are a demonstration that the distinction between seriousness and play is not a law of nature but a social convention which can be broken, and that a man does not always require a serious motive for deceiving another.

Two men, dressed as city employees, block off a busy street and start digging it up. The traffic cop, motorists and pedestrians assume that this familiar scene has a practical explanation – a water main or an electric cable is being repaired – and make no attempt to use the street. In fact, however, the two diggers are private citizens in disguise who have no business there.

All practical jokes are anti-social acts, but this does not necessarily mean that all practical jokes are immoral. A moral practical joke exposes some flaw of society which is hindrance to a real community or brotherhood. That it should be possible for two private individuals to dig up a street without being stopped is a just criticism of the impersonal life of a large city where most people are strangers to each other, not brothers; in a village where all inhabitants know each other personally, the deception would be impossible.

For the advice in a joke is sometimes more useful than the most serious teaching.

Life is a huge farce, and the advantage of possessing a sense of humour is that it enables one to defy fate with mocking laughter.

People back home, people who haven’t been in war, or at least not that war, sometimes don’t seem to understand how the troops in Iraq acted. They’re surprised — shocked — to discover we often joked about death, about things we saw. Maybe it seems cruel or inappropriate. Maybe it would be, under different circumstances. But in the context of where we were, it made a lot of sense. We saw terrible things, and lived through terrible things. Part of it was letting off pressure or steam, I’m sure. A way to cope. If you can’t make sense of things, you start to look for some other way to deal with them. You laugh because you have to have some emotion, you have to express yourself somehow.

In the creation of comedy, it is paradoxical that tragedy stimulates the spirit of ridicule; because ridicule, I suppose is an attitude of defiance: we must laugh in the face of our helplessness against the forces of nature - or go insane

Unlike the Jester and the Clown, who are at the bottom of a hierarchical pile and survive only by making the king laugh, the Trickster is free, a paradox, a breaker of boundaries who makes us laugh — and laughter lets the sacred in. In Native spiritualities, there is often a belief that we cannot pray unless we’ve laughed.

We must laugh at man to avoid crying for him.

There's a humorous side to every situation. The challenge is to find it.