Sunflower poised against the sunset, crackly bleak and dusty with the smut and smog and smoke of olden locomotives in its eye — corolla of bleary spikes pushed down and broken like a battered crown, seeds fallen out of its face, soon-to-be-toothless mouth of sunny air, sunrays obliterated on its hairy head like a dried wire spiderweb,
leaves stuck out like arms out of the stem, gestures from the sawdust root, broke pieces of plaster fallen out of the black twigs, a dead fly in its ear

We're not our skin of grime, we're not our dread bleak dusty imageless locomotive, we're all beautiful golden sunflowers inside, we're blessed
by our own seed & hairy naked
accomplishment-bodies growing into mad black formal sunflowers in the sunset, spied on by our eyes under the shadow of the mad locomotive riverbank sunset Frisco hilly tincan evening sitdown vision.

And you as well must die, beloved dust,
And all your beauty stand you in no stead;
This flawless, vital hand, this perfect head,
This body of flame and steel, before the gust.

The dust that fell unnoted as a dew,
Wrapped the dead city's face like mummy-cloth

Or else the cloud hovered, having barely left the lips, dense and slow, and suggested another vision: the exhalations that hang over the roofs of the metropolises, the opaque smoke that is not scattered, the hood of miasmata that weighs over the bituminous streets. Not the labile mists of memory nor the dry transparence, but the charring of burned lives that forms a scab on the city, the sponge swollen with vital matter that no longer flows, the jam of past, present, future that blocks existences calcified in the illusion of movement: this is what you would find at the end of your journey.

Its tall chimneys throw up black smoke, impregnating everything with soot, and the miners' faces as they traveled the streets were also imbued with that ancient melancholy of smoke, unifying everything with its grayish monotones, a perfect coupling with the gray mountain days.

It’s this smoke from the burnin garbage, kid. Enough to make a maggot puke, ain’t it? Lookit! The smoke’s risin’ t‘ward the full moon like the ghosts a men so rotten even their spirits’re carryin the contamination with em. Hey, li’l chick, you din’t know Old Man knew them big words like contamination, didja? That’s what livin on the city dump does for you. I hear that word all a time from the big shots that come down inspectin the stink here so they kin get away from the stink a City Hall. 1 ain’t no illiterate. I got a TV set. Hor, hor, hor!

This goodly frame, the earth, seems to me a sterile promontory, this most excellent canopy, the air, look you, this brave o'erhanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me than a foul and pestilent congregation of vapours. What a piece of work is a man! how noble in reason! how infinite in faculty! in form and moving how express and admirable! in action how like an angel! in apprehension how like a god! the beauty of the world! the paragon of animals! And yet, to me, what is this quintessence of dust?

when the sky is as grey as this - impeccably grey, a denial, really of the very concept of colour - and the stooped millions lift their heads, it's hard to tell the air from the impurities in our human eyes, as if the sinking climbing paisley curlicues of grit were part of the element itself, rain, spores, tears, film, dirt. Perhaps, at such moments, the sky is no more then the sum of the dirt that lives in our human eyes.

it came to me then, I am sure, for the first time, how promiscuous, how higgledy-piggledy was the whole of that jumble of mines and homes, collieries and potbanks, railway yards, canals, schools, forges and blast furnaces, churches, chapels, allotment hovels, a vast irregular agglomeration of ugly smoking accidents in which men lived as happy as frogs in a dustbin. Each thing jostled and damaged the other things about it, each thing ignored the other things about it; the smoke of the furnace defiled the potbank clay, the clatter of the railway deafened the worshipers in church, the public-house thrust corruption at the school doors, the dismal homes squeezed miserably amidst the monstrosities of industrialism, with an effect of groping imbecility. Humanity choked amidst its products, and all its energy went in increasing its disorder, like a blind stricken thing that struggles and sinks in a morass.

One may picture, too, the sudden shifting of the attention, the swiftly spreading coils and bellyings of that blackness advancing headlong, towering heavenward, turning the twilight to a palpable darkness, a strange and horrible antagonist of vapour striding upon its victims, men and horses near it seen dimly, running, shrieking, falling headlong, shouts of dismay, the guns suddenly abandoned, men choking and writhing on the ground, and the swift broadening-out of the opaque cone of smoke. And then night and extinction – nothing but a silent mass of impenetrable vapour hiding its dead.

Yet at least he had believed in the cars, maybe to excess: how could he not, seeing people poorer than him come in, Negro, Mexican, cracker, a parade seven days a week, bring with them the most godawful of trade-ins: motorized, metal extensions of themselves, of their families and what their whole lives must be like, out there so naked for anybody, a stranger like himself, to look at, frame cockeyed, rusty underneath, fender repainted in a shade just off enough to depress the value, if not Mucho himself, inside smelling hopeless of children, of supermarket booze, or two, sometimes three generations of cigarette smokers, or only of dust — and when the cars were swept out you had to look at the actual residue of these lives, and there was no way of telling what things had been truly refused (when so little he supposed came by that out of fear most of it had to be taken and kept) and what had simply (perhaps tragically) been lost: clipped coupons promising savings of 5 or 10¢, trading stamps, pink flyers advertising specials at the market, butts, tooth-shy combs, help-wanted ads, Yellow Pages torn from the phone book, rags of old underwear or dresses that already were period costumes, for wiping your own breath off the inside of a windshield with so you could see whatever it was, a movie, a woman or car you coveted, a cop who might pull you over just for drill, all the bits and pieces coated uniformly, like a salad of despair, in a grey dressing of ash, condensed exhaust, dust, body wastes — it nauseated him to look, but he had to look.

The whole blear world
of smoke and twisted steel
around my head in a railroad
car, and my mind wandering
past the rust into futurity:
I saw the sun go down
in a carnal and primeval
world, leaving darkness
to cover my railroad train
because the other side of the
world was waiting for dawn.

Grime is grace
To whoso gropes amid the dung for gold.