I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.

Even the song of birds, which we can bring under no musical rule, seems to have more freedom, and therefore more for taste, than a song of a human being which is produced in accordance with all the rules of music; for we very much sooner weary of the latter, if it is repeated often and at length. Here, however, we probably confuse our participation in the mirth of a little creature that we love, with the beauty of its song; for if this were exactly imitated by man (as sometimes the notes of the nightingale are) it would seem to our ear quite devoid of taste.

The Mockingbird

All summer
the mockingbird
in his pearl-gray coat
and his white-windowed wings

flies
from the hedge to the top of the pine
and begins to sing, but it’s neither
lilting nor lovely,

for he is the thief of other sounds — whistles and truck brakes and dry hinges
plus all the songs
of other birds in his neighborhood;

mimicking and elaborating,
he sings with humor and bravado,
so I have to wait a long time
for the softer voice of his own life

to come through. He begins
by giving up all his usual flutter
and settling down on the pine’s forelock
then looking around

as though to make sure he’s alone;
then he slaps each wing against his breast,
where his heart is,
and, copying nothing, begins

easing into it
as though it was not half so easy
as rollicking,
as though his subject now

was his true self,
which of course was as dark and secret
as anyone else’s,
and it was too hard — perhaps you understand — to speak or to sing it
to anything or anyone
but the sky.

I was of three minds,
Like a tree
In which there are three blackbirds.

The intellect of man is forced to choose
Perfection of the life, or of the work
And if it take the second must refuse
A heavenly mansion, raging in the dark.

"Thirteen Ways of Looking at a Blackbird"

I
Among twenty snowy mountains,
The only moving thing
Was the eye of the blackbird.

II
I was of three minds,
Like a tree
In which there are three blackbirds.

III
The blackbird whirled in the autumn winds.
It was a small part of the pantomime.

IV
A man and a woman
Are one.
A man and a woman and a blackbird
Are one.

V
I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.

VI
Icicles filled the long window
With barbaric glass.
The shadow of the blackbird
Crossed it, to and fro.
The mood
Traced in the shadow
An indecipherable cause.

VII
O thin men of Haddam,
Why do you imagine golden birds?
Do you not see how the blackbird
Walks around the feet
Of the women about you?

VIII
I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.

IX
When the blackbird flew out of sight,
It marked the edge
Of one of many circles.

X
At the sight of blackbirds
Flying in a green light,
Even the bawds of euphony
Would cry out sharply.

XI
He rode over Connecticut
In a glass coach.
Once, a fear pierced him,
In that he mistook
The shadow of his equipage
For blackbirds.

XII
The river is moving.
The blackbird must be flying.

XIII
It was evening all afternoon.
It was snowing
And it was going to snow.
The blackbird sat
In the cedar-limbs.

There is nothing more beautiful, I think, than the evanescent fleeting images and sentiments presented by a language one is just becoming familiar with — ideas that flit across the mental sky, shaped and tinted by capricious fancy.

THE BELL AND THE BLACKBIRD (excerpt)
The sound
of a bell
still reverberating,

or a blackbird
calling
from a corner
of a
field.

Asking you
to wake
into this life
or inviting you
deeper
to one that waits.

Either way
takes courage,
either way wants you
to be nothing
but that self that
is no self at all,
wants you to walk
to the place
where you find
you already know
how to give
every last thing
away.

I see a bird carrying me and carrying you, with us as its wings, beyond the dream, to a journey that has no end and no beginning, no purpose and no goal. I do not speak to you, and you do not speak to me; we listen only to the music of silence. Silence is the friend's trust of friend, imagination's self-confidence between rain and rainbow.
A rainbow is inspiration provoking the poet, uninvited, the infatuation of the poet with the prose of the Quran.
Which of your Lord's blessings do you disown?
We are absent, you and I; we are present, you and I.
And absent.
Which of your Lord's blessings do you disown?

And the sunset itself on such waves of ether
That I just can’t comprehend
Whether it is the end of the day, the end of the world,
Or the mystery of mysteries in me again.

Beauty presents an indeterminate concept of Understanding, the sublime an indeterminate concept of Reason.

What is this world's delight,
Lightening that mocks the night,
Brief as even as bright

If a beautiful thought or phrase comes to mind, or if you see a beautiful sunset, one’s not better than the other. Both are equally beautiful in different ways. It’s helpful to consider there are always more options available to us than we might realize.

Did you too see it, drifting, all night, on the black river?
Did you see it in the morning, rising into the silvery air -
An armful of white blossoms,
A perfect commotion of silk and linen as it leaned
into the bondage of its wings; a snowbank, a bank of lilies,
Biting the air with its black beak?
Did you hear it, fluting and whistling
A shrill dark music - like the rain pelting the trees - like a waterfall
Knifing down the black ledges?
And did you see it, finally, just under the clouds -
A white cross Streaming across the sky, its feet
Like black leaves, its wings Like the stretching light of the river?
And did you feel it, in your heart, how it pertained to everything?
And have you too finally figured out what beauty is for?
And have you changed your life?