As I sat alone in my new office, I recalled a time, as a young prosecutor, when I overheard some of my colleagues in the hallway. “Should we add the gang enhancement?” one of them asked. “Can we show he was in a gang?” the other said. “Come on, you saw what he was wearing, you saw which corner they picked him up on. Guy’s got the tape of that rapper, what’s his name?” I stepped out into the hallway. “Hey, guys, just so you know: I have family that live in that neighborhood. I’ve got friends who dress in that style. And I’ve got a tape of that rapper in my car right now.
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But that California trip was just a flash in the eye of that year. The rest of the time, I hung in purgatory, playing talent shows and showcases here and there, living like a normal teenager in Philadelphia. Or maybe I should say living like a normal black teenager, which meant that aimlessness was accompanied by a certain unique set of risks. One night, I was out driving with a few friends of mine when the police pulled us over. We were told we fit the description of someone who had committed a robbery or stolen a car, though I don’t really know what kind of description that could have been: three black kids in a Hyundai blasting U2’s Joshua Tree on their way back from Bible study? The officer actually drew a gun. I was terrified. The worst part of all was that when I saw the police in the rearview mirror, I started thinking that maybe I had stolen the car. I don’t know what the psychological phenomenon is called, exactly, but when you encircle someone with suspicion, the idea of guilt just starts to appear within them. It was a terrible feeling and it’s a terrible process, and it was another reminder that the life I was leading, while superficially uneventful, had the potential to turn against me at any moment.
breath, trying to make sense of the story. I dealt with criminal law all the time but you still had to hear the person out, listen to all of the facts, and then assess the situation yourself while trying to find the truth. “First,
One night, I was out driving with a few friends of mine when the police pulled us over. We were told we fit the description of someone who had committed a robbery or stolen a car, though I don't really know what kind of description that could have been: three black kids in a Hyundai blasting U2's Joshua Tree on their way back from Bible study?
French said: “It’s like this with us, baby. We’re coppers and everybody hates our guts. And as if we didn’t have enough trouble, we have to have you. As if we didn’t get pushed around enough by the guys in the corner offices, the City Hall gang, the day chief, the night chief, the Chamber of Commerce, His Honor the Mayor in his paneled office four times as big as the three lousy rooms the whole homicide staff has to work out of. As if we didn’t have to handle one hundred and fourteen homicides last year out of three rooms that don’t have enough chairs for the whole duty squad to sit down in at once. We spend our lives turning over dirty underwear and sniffing rotten teeth. We go up dark stairways to get a gun punk with a skinful of hop and sometimes we don’t get all the way up, and our wives wait dinner that night and all the other nights. We don’t come home any more. And nights we do come home, we come home so goddam tired we can’t eat or sleep or even read the lies the papers print about us. So we lie awake in the dark in a cheap house on a cheap street and listen to the drunks down the block having fun. And just about the time we drop off the phone rings and we get up and start all over again. Nothing we do is right, not ever. Not once. If we get a confession, we beat it out of the guy, they say, and some shyster calls us Gestapo in court and sneers at us when we muddle our grammar. If we make a mistake they put us back in uniform on Skid Row and we spend the nice cool summer evenings picking drunks out of the gutter and being yelled at by whores and taking knives away from greaseballs in zoot suits. But all that ain’t enough to make us entirely happy. We got to have you.” He stopped and drew in his breath. His face glistened a little as if with sweat. He leaned forward from his hips. “We got to have you,” he repeated. “We got to have sharpers with private licenses hiding information and dodging around corners and stirring up dust for us to breathe in. We got to
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The same crime element that white people are scared of black people are scared of. While they waiting for legislation
to pass, we next door to the killer. All them killers they let out,they're in that building. Just because we black,
we get along with the killers? What is that?
comin’ straight outta Brentwood, a cadre of young stars who’ve grown up deprived of deprivation trying to transform themselves into street toughs by forming ““gangs”” so devoid of street cred it’s necessary to put the word in two sets of quotes. What kind of criminal activity are they engaged in? Script laundering? Agent smuggling? Film miscasting? Who knows. They think they have a posse when what they really have is a pose.
right' i said. 'but first, we need the car. and after that, the cocaine. and then the tape recorder, for special music, and some acapulco shirts.
Concurrently, the growing class power and public voice of conservative and liberal well-to-do black folks easily obscures the class cruelty these individuals enact both in the way they talk about underprivileged blacks and the way they represent them. The existence of that class cruelty and its fascist dimensions have been somewhat highlighted by the efforts of privileged-class blacks to censor the voices of black youth, particularly gangsta rappers who are opposing bourgeois class values by extolling the values of street culture and street vernacular. Significantly, the attack on urban underclass black youth culture and its gangster dimensions (glamorization of crime, etc.) is usually presented via a critique of sexism. Since most privileged-class blacks have shown no interest in advancing feminist politics, the only organized effort to end sexism and sexist oppression, this attack on sexism seems merely gratuitous, a smoke screen that deflects away from the fact that what really disturbs bourgeois folks is the support of rebellion, unruly behavior, and disrespect for their class values. In reality, they and their white counterparts fear the power these young folks have to change the minds and life choices of youth from privileged classes. If only underclass black folks were listening to gangsta rap, there would be no public effort to silence and censor this music. The fear is that it will generate class rebellion.
Few aspects of my work in the DA’s Office were more rewarding than to see what I had learned in childhood among the Latinos of the Bronx prove to be as relevant to my success as Ivy League schooling was. It was in effect to see that mastery of the law’s cold abstractions, which had taken such effort, was actually incomplete without an understanding of how they affected individual lives.
Garr, who, in addition to his role as evidence manager, was a key witness for the prosecution, never revealed his conflicts to Michael’s lawyers or to the Court. His bosses in the police and prosecutor’s office apparently knew of his covert deal and urged him to keep it quiet.
"...officials who don't differentiate between types of crime and just talk tough, about all of it, are really tougher on taxpayers, than they are on crimes. They're not reducing crime." D.A. Ronnie Earle
Neighbors would pass, and when they honked I'd remember that I was in my Speedo. Then I'd wrap my towel like a skirt around my waist and remind my sisters that this was not girlish but Egyptian, thank you very much.
Few aspects of my work in the DA’s Office were more rewarding than to see what I had learned in childhood among the Latinos of the Bronx prove to be as relevant to my success as Ivy League schooling was.
The names of the kids with detention were announced at every assembly, and I was always one of them. Always. Every single day. It was a running joke. The prefect would say, ‘Detentions for today…’ and I would stand up automatically. It was like the Oscars and I was Meryl Streep.
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