Every word was once a poem.

What we call the beginning is often the end
And to make and end is to make a beginning.
The end is where we start from. And every phrase
And sentence that is right (where every word is at home,
Taking its place to support the others,
The word neither diffident nor ostentatious,
An easy commerce of the old and the new,
The common word exact without vulgarity,
The formal word precise but not pedantic,
The complete consort dancing together)
Every phrase and every sentence is an end and a beginning,
Every poem an epitaph. And any action
Is a step to the block, to the fire, down the sea's throat
Or to an illegible stone: and that is where we start.
We die with the dying:
See, they depart, and we go with them.
We are born with the dead:
See, they return, and bring us with them.
The moment of the rose and the moment of the yew-tree
Are of equal duration. A people without history
Is not redeemed from time, for history is a pattern
Of timeless moments. So, while the light fails
On a winter's afternoon, in a secluded chapel
History is now and England.

Every poem is a prayer, a supplication in the cacophony of humanity.

Everything has its poetry. 94

Everything's always ending. But everything's always beginning, too

Every limit is a beginning as well as an ending.

Every existence has its idiom, every thing and idiom and tongue.

A great poem is no finish to a man or woman but rather a beginning.

All words, in every language, are metaphors.

Every word first looks around in every direction before letting itself be written down by me.

And the end and the beginning were always there
Before the beginning and after the end.
And all is always now.

A great poem is for ages and ages in common and for all degrees and complexions and all departments and sects and for a woman as much as a man and a man as much as a woman. A great poem is no finish to a man or woman but rather a beginning. Has any one fancied he could sit at last under some due authority and rest satisfied with explanations and realize and be content and full? To no such terminus does the greatest poet bring . . . he brings neither cessation or sheltered fatness and ease. The touch of him tells in action. Whom he takes he takes with firm sure grasp into live regions previously unattained thenceforward is no rest . . . they see the space and ineffable sheen that turn the old spots and lights into dead vacuums. The companion of him beholds the birth and progress of stars and learns one of the meanings. Now there shall be a man cohered out of tumult and chaos . . . the elder encourages the younger and shows him how . . . they two shall launch off fearlessly together till the new world fits an orbit for itself and looks unabashed on the lesser orbits of the stars and sweeps through the ceaseless rings and shall never be quiet again.

Whatever has a beginning must have an ending.

Stop this day and night with me, and you shall possess the origin of all poems,