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The war had made a man of him! It had coarsened him and hardened him. There was no other way to look at it. It had made him reach a point at which he would no longer stand unbearable things.

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It had been in that moment that he had realized the insanity of war, the futile gesture that in time became all but meaningless, the unreasoning rage that must be nursed long beyond the memory of the incident that had caused the rage, the sheer illogic that one man, by death of misery, might prove a right or uphold a principle.

The clay of White Fang had been molded until he became what he was, morose and lonely, unloving and ferocious, the enemy of all his kind.

Presently he began to feel the effects of the war atmosphere — a blistering sweat, a sensation that his eyeballs were about to crack like hot stones. A burning roar filled his ears. Following this came a red rage. He developed the acute exasperation of a pestered animal, a well-meaning cow worried by dogs. He had a mad feeling against his rifle, which could only be used against one life at a time. He wished to rush forward and strangle with his fingers. He craved a power that would enable him to make a world-sweeping gesture and brush all back. His impotency appeared to him, and made his rage into that of a driven beast.

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War makes monsters of men, you once said to me Todd. Well, so does too much knowledge. Too much knowledge of your fellow man, too much knowledge of his weakness, his pathetic greed and vanity, and how laughably easy it is to control him.

As time passed and he grew to know people better, he began to think of himself as an extraordinary man, one set apart from his fellows. He wanted terribly to make his life a thing of great importance, and as he looked about at his fellow men and saw how like clods they lived it seemed to him that he could not bear to become also such a clod.

War is an ugly thing, but not the ugliest of things: the decayed and degraded state of moral and patriotic feeling which thinks that nothing is worth a war, is much worse. When a people are used as mere human instruments for firing cannon or thrusting bayonets, in the service and for the selfish purposes of a master, such war degrades a people. A war to protect other human beings against tyrannical injustice; a war to give victory to their own ideas of right and good, and which is their own war, carried on for an honest purpose by their free choice, — is often the means of their regeneration. A man who has nothing which he is willing to fight for, nothing which he cares more about than he does about his personal safety, is a miserable creature who has no chance of being free, unless made and kept so by the exertions of better men than himself. As long as justice and injustice have not terminated their ever-renewing fight for ascendancy in the affairs of mankind, human beings must be willing, when need is, to do battle for the one against the other.

And what other kind of man would you want leading you into battle?” he says, reading my Noise. “What other kind of man is suitable for war?”
A monster, I think, remembering what Ben told me once. War makes monsters of men.
“Wrong,” says the Mayor. “It’s war that makes us men in the first place. Until there’s war, we are only children.”
Another blast of the horn comes roaring down at us, so loud it nearly takes our heads off and it puts the army off its stride for a second or two.
We look up the road to the bottom of the hill. We see Spackle torches gathering there to meet us.
“Ready to grow up, Todd?” the Mayor asks.

He will also make use of what he learns as the months or years of the war strengthen his revolutionary convictions, making him more radical as the potency of arms is demonstrated, as the outlook of the inhabitants becomes a part of his spirit and of his own life, and as he understands the justice and the vital necessity of a series of changes, of which the theoretical importance appeared to him before, but devoid of practical urgency.

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