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Words to me were magic. You could say a word and it could conjure up all kinds of images or feelings or a chilly sensation or whatever. It was amazing to me that words had this power.

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Words have a magical power. They can bring either the greatest happiness or deepest despair; they can transfer knowledge from teacher to student; words enable the orator to sway his audience and dictate its decisions. Words are capable of arousing the strongest emotions and prompting all men's actions.

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Words! Mere words! How terrible they were! How clear, and vivid, and cruel! One could not escape from them. And yet what a subtle magic there was in them! They seemed to be able to give a plastic form to formless things, and to have a music of their own as sweet as that of viol or of lute. Mere words! Was there anything so real as words?

I used to think the power of words was inexhaustible,
That how we said the world was how it was, and how it would be,
I used to imagine that word-sway and word thunder
Would silence the Silence and all that,
That words were the Word,
That language could lead us inexplicably to grace,
As though it were geographical.
I used to think these things when I was young.
I still do.

For me, as for many kids, words had a magical (and sometimes sexual) aura, and I would look up in my mother’s medical dictionary words such as <i>penis</i>, <i>intercourse</i>, or <i>homosexuality</i>, exciting words no matter how dispiriting the definition, exciting just because they appeared in print.

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I love words. I thank you for hearing my words. I want to tell you something about words that I think is important. Words are my work, they’re my play. They’re my passion. Words are all we have really. We have thoughts, but thoughts are fluid. And, then we assign a word to a thought and we’re stuck with that word for that thought. So be careful with words. The same words that hurt can heal.

Now, as words affect, not by any original power, but by representation, it might be supposed, that their influence over the passions should be but light; yet it is quite otherwise; for we find by experience, that eloquence and poetry are as capable, nay indeed much more capable, of making deep and lively impressions than any other arts, and even than nature itself in very many cases. And this arises chiefly from these three causes. First, that we take an extraordinary part in the passions of others, and that we are easily affected and brought into sympathy by any tokens which are shown of them; and there are no tokens which can express all the circumstances of most passions so fully as words; so that if a person speaks upon any subject, he can not only convey the subject to you, but likewise the manner in which he is himself affected by it. [...] Secondly, there are many things of a very affecting nature, which can seldom occur in the reality, but the words that represent them often do; and thus they have an opportunity of making a deep impression and taking root in the mind, whilst the idea of the reality was transient [...] Thirdly, by words we have it in our power to make such <i>combinations</i> as we cannot possibly do otherwise. By this power of combining we are able, by the addition of well-chosen circumstances, to give a new life and force to the simple object.

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