Don't expect me to be sane anymore. Don't let's be sensible. It was a marriage at Louveciennes - you can't dispute it. I came away with pieces of you sticking to me; I am walking about, swimming, in an ocean of blood, your Andalusian blood, distilled and poisonous. Everything I do and say and think relates back to the marriage. I saw you as the mistress of your home, a Moor with a heavy face, a negress with a white body, eyes all over your skin, woman, woman, woman. I can't see how I can go on living away from you. [...] You became a woman with me. I was almost terrified by it. You are not just thirty years old - you are a thousand years old. [...]
Anaïs, I only thought I loved you before; it was nothing like this certainty that's in me now. Was all this so wonderful only because it was brief and stolen? Were we acting for each other, to each other? Was I less I, or more I, and you less or more you? Is it madness to believe that this could go on? When and where would the drab moments begin?
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Don't expect me to be sane anymore. Don't let's be sensible. It was a marriage at Louveciennes — you can't dispute it. I came away with pieces of you sticking to me; I am walking about, swimming, in an ocean of blood, your Andalusian blood, distilled and poisonous... I can't see how I can go on living away from you — these intermissions are death. How did it seem to you when Hugo came back? Was I still there? I can't picture you moving about with him as you did with me. Legs closed. Frailty. Sweet, treacherous acquiescence. Bird docility. You became a woman with me. I was almost terrified by it. You are not just thirty years old — you are a thousand years old.
Here I am back and still smouldering with passion, like wine smoking. Not a passion any longer for flesh, but a complete hunger for you, a devouring hunger.
"Anaïs, I don't know how to tell you what I feel. I live in perpetual expectancy. You come and the time slips away in a dream. It is only when you go that I realize completely your presence. And then it is too late. You numb me. [...] This is a little drunken, Anaïs. I am saying to myself "here is the first woman with whom I can be absolutely sincere." I remember your saying - "you could fool me, I wouldn't know it." When I walk along the boulevards and think of that. I can't fool you - and yet I would like to. I mean that I can never be absolutely loyal - it's not in me. I love women, or life, too much - which it is, I don't know. But laugh, Anaïs, I love to hear you laugh. You are the only woman who has a sense of gaiety, a wise tolerance - no more, you seem to urge me to betray you. I love you for that. [...]
I don't know what to expect of you, but it is something in the way of a miracle. I am going to demand everything of you - even the impossible, because you encourage it. You are really strong. I even like your deceit, your treachery. It seems aristocratic to me."
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"What should we do?", I asked, and I had a pained feeling I thought was the beginning of love.
In those early months we clung to each other with a rather silly desperation, because, in spite of everything my mother or Mrs Jordan could say, there was nothing that really prevented us from seeing each other. With imagined tragedy hovering over us, we became inseparable, two halves creating the whole: yin and yang. I was victim to his hero. I was always in danger and he was always rescuing me. I would fall and he would lift me up. It was exhilarating and draining. The emotional effect of saving and being saved was addicting to both of us. And that, as much as anything we ever did in bed, was how we made love to each other: conjoined where my weaknesses needed protection.
I was dancing with an immortal august woman, who had black lilies in her hair, and her dreamy gesture seemed laden with a wisdom more profound than the darkness that is between star and star, and with a love like the love that breathed upon the waters; and as we danced on and on, the incense drifted over us and round us, covering us away as in the heart of the world, and ages seemed to pass, and tempests to awake and perish in the folds of our robes and in her heavy hair.
Suddenly I remembered that her eyelids had never quivered, and that her lilies had not dropped a black petal, or shaken from their places, and understood with a great horror that I danced with one who was more or less than human, and who was drinking up my soul as an ox drinks up a wayside pool; and I fell, and darkness passed over me.
I have been a little embarrassed always. But less so the last time. It will all disappear. You have such a delicious sense of humor — I adore that in you. I want always to see you laughing. It belongs to you. I have been thinking of places we ought to go together — little obscure places, here and there, in Paris. Just to say — here I went with Anais — here we ate or danced or got drunk together. Ah, to see you really drunk sometime, that would be a treat! I am almost afraid to suggest it — but Anais, when I think of how you press against me, how eagerly you open your legs and how wet you are, God, it drives me mad to think what you would be like when everything falls away.
I knew it all, the whole drab compass of marital disillusion; we had been through it together, the Army and I, from the first importunate courtship until now, when nothing remained to us except the chill bonds of law and duty and custom. I had played every scene in the domestic tragedy, had found the early tiffs become more frequent, the tears less affecting, the reconciliations less sweet, till they engendered a mood of aloofness and cool criticism, and the growing conviction that it was not myself but the loved one who was at fault. I caught the false notes in her voice and learned to listen for them apprehensively; I recognized the blank, resentful stare of incomprehension in her eyes, and the selfish, hard set of the corners of her mouth. I learned her, as one must learn a woman one has kept house with, day in, day out, for three and a half years; I learned her slatternly ways, the routine and mechanism of her charm, her jealousy and self-seeking, and her nervous trick with the fingers when she was lying. She was stripped of all enchantment now and I knew her for an uncongenial stranger to whom I had bound myself indissolubly in a moment of folly.
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I slip Anny's letter back into my despatch case: she has done what she could; I cannot reach the woman who took it in her hands, folded and put it in the envelope. Is it possible even to think of someone in the past? As long as we loved each other, we never allowed the meanest of our instants, the smallest grief, to be detached and forgotten, left behind. Sounds, smells, nuances of light, even the thoughts we never told each other; we carried them all away and they remained alive: even now they have the power to give us joy and pain. Not a memory: an implacable, torrid love, without shadow, without escape, without shelter. Three years rolled into one. That is why we parted: we did not have enough strength to bear this burden. And then, when Anny left me, all of a sudden, all at once, the three years crumbled into the past. I didn't even surfer, I felt emptied out. Then time began to flow again and the emptiness grew larger. Then, in Saigon when I decided to go back to France, all that was still left — strange faces, places, quays on the banks of long rivers — all was wiped out. Now my past is nothing more than an enormous vacuum. My present: this waitress in the black blouse dreaming near the counter, this man. It seems as though I have learned all I know of life in books.
Well, and you may have lived in the courts of the Old Lord, and you were accounted beautiful, but I have been a man's wife and I have borne him sons, and you are still a slave.
You are rich. You own. We are poor. We lack. You have. We do not have. Everything is beautiful here, only not the faces. On Anarres nothing is beautiful, nothing but the faces. The other faces. The men and women. We have nothing but that, nothing but each other. Here you see the jewels. There you see the eyes. And in the eyes you see the splendor, the splendor of the human spirit, because our men and women are free possessing nothing. They are free. And you, the possessors are possessed. You are all in jail, each alone, solitary with a heap of what he owns. You live in prison, die in prison. It is all I can see in your eyes, the wall, the wall.
"MY DEAR LITTLE SISTER, — Jesus is "a Spouse of blood." He wishes for Himself all the blood of our hearts. You are right — it costs us dear to give Him what He asks. But what a joy that it does cost! It is happiness to bear our crosses, and to feel our weakness in doing so.
Céline, far from complaining to Our Lord of this cross which He sends us, I cannot fathom the Infinite Love which had led Him to treat us in this way. Our dear Father must indeed be loved by God to have so much suffering given to him. I know that by humiliation alone can Saints be made, and I also know that our trial is a mine of gold for us to turn to account. I, who am but a little grain of sand, wish to set to work, though I have neither courage nor strength. Now this very want of power will make my task easier, for I wish to work for love. Our martyrdom is beginning . . . Let us go forth to suffer together, dear sister, and let us offer our sufferings to Jesus for the salvation of souls."
Love him,’ said Jacques, with vehemence, ‘love him and let him love you. Do you think anything else under heaven really matters? And how long, at the best, can it last, since you are both men and still have everywhere to go? Only five minutes, I assure you, only five minutes, and most of that, <i>helas</i>! in the dark. And if you think of them as dirty, then they will be dirty — they will be dirty because you will be giving nothing, you will be despising your flesh and his. But you can make your time together anything but dirty, you can give each other something which will make both of you better — forever — if you will <i>not</i> be ashamed, if you will only <i>not</i> play it safe.’ He paused, watching me, and then looked down to his cognac. ‘You play it safe long enough,’ he said, in a different tone, ‘and you’ll end up trapped in your own dirty body, forever and forever and forever — like me.
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View PlansDo you know, Àntonia, since I've been away, I think of you more often than of any one else in this part of the world. I'd have liked you to have you for a sweetheart, or a wife, or my mother or my sister- anything that a woman can be to a man. The idea of you is a part of my mind; you influence my likes and my dislikes, all my tastes, hundreds of time when I don't realize it. You really are a part of me.
And so, by the arts of Ulysses, [5] they drew me from my mother under pretense of being wedded to Achilles.
I worship her, Alyosha, worship her. Only she doesn't see it. No, she still thinks I don't love her enough. And she tortures me, tortures me with her love. The past was nothing! In the past it was only that infernal body of hers that tortured me, but now I've taken all her soul into my soul and through her I've become a man. Will they marry us? If they don't I will die of jealousy. I imagine something every day...
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