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Fame can take interesting men and thrust mediocrity upon them. If I hadn't learned how to be a musician and writer, it wouldn't have mattered what I did. I never knew too many rock people. I would get to a place, some nightclub or other, and see all these famous rockers bonding.

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As everyone knows, fame, especially sudden fame, is a hollow, shallow and dangerous thing, its dark, seductive powers no substitute for true love or real friendship. On the other hand, if you’re a terribly shy person, desperately in need of a confidence boost – someone who spent a lot of their childhood trying to be as invisible as possible so you didn’t provoke one of your mum’s moods or your dad’s rage – I can tell you for a fact that being hailed as the future of rock and roll in the LA Times and feted by a succession of your musical heroes will definitely do the trick.

As for fame, fame felt like nothing. Fame was not a sensation like love or hunger or loneliness, welling from within and invisible to the outside eye. It was rather entirely external, coming from the minds of others. It existed in the way people looked at him or behaved towards him. In that, being famous was no different from being gay, or Jewish, or from a visible minority: you are who you are, and then people project onto you some notion they have.

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Fame was not real. It was all a projection — fame made me a blank canvas that people projected their love, lust, troubles, self-worth, and desire upon. Fame and power do not change us; they amplify us. If we are insecure, we grow more so. If we are addictive, we become a greater addict and insatiable. If we are desirous of truth, we seek it more. If we are generous, we become more so. If we seek to fill holes through dishonest means, we have greater access to do so. Fame and power are masterful teachers.

If the meaning of life has become doubtful, if one's relations to others and to oneself do not offer security, then fame is one means to silence one's doubts. It has a function to be compared with that of the Egyptian pyramids or the Christian faith in immortality: it elevates one's individual life from its limitations and instability to the plane of indestructability; if one's name is known to one's contemporaries and if one can hope that it will last for centuries, then one's life has meaning and significance by this very reflection of it in the judgments of others.

fame can be a bad thing when you let the light spotlight that's shining on you shine brighter than the spotlight coming from within you

Being idolized and being torn down felt oddly similar. They both made me feel alone.
Friendship and trust should be earned, and when you're famous, people seem to want to give them to you whether you've earned them or not, and it felt dishonest to me. Fame was not real. It was all a projection — fame made me a blank canvas that people projected their love, lust, troubles, self-worth, and desire upon.
Fame and power do not change us, they amplify us.

That anyone would want to be famous still mystified Colin. As TV had trained him to do, he associated the word with divorces and court appearances and rehab and jail time. He knew more than he wanted about all of those except rehab, and that was the one famous people blew off anyway.

The second death. To think that you died and no one would remember you. I wondered if this was why we tried so hard to make our mark in America. To be known. Think of how important celebrity has become. We sing to get famous; expose our worst secrets to get famous; lose weight, eat bugs, even commit murder to get famous. Our young people post their deepest thoughts on public web sites. They run cameras from their bedrooms. It’s as if we are screaming Notice Me! Remember Me! Yet the notoriety barely lasts. Names quickly blur and in time are forgotten.

Fame is also won at the expense of others. Even the well-deserved honors of the scientist or man of learning are unfair to many persons of equal achievements who get none. When one man gets a place in the sun, the others are put in a denser shade. From the point of view of the whole group there's no gain whatsoever, and perhaps a loss.

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It is a good lesson — though it may often be a hard one — for a man who has dreamed of literary fame, and of making for himself a rank among the world's dignitaries by such means, to step aside out of the narrow circle in which his claims are recognized and to find how utterly devoid of significance, beyond that circle, is all that he achieves, and all that he aims at.

I think there are different kinds of fame. There's fame which is plastic and about paparazzi and money and being rich, and then there's the fame, which is when no one knows who you are but everyone wants to know who you are.

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