Most of our childhood is stored not in photos, but in certain biscuits, lights of day, smells, textures of carpet.
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I remember my childhood names for grasses and secret flowers. I remember where a toad may live and what time the birds awaken in the summer — and what trees and seasons smelled like — how people looked and walked and smelled even. The memory of odors is very rich.
How far back into childhood do our memories reach?
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No kind of writing lodges itself so deeply in our memory, echoing there for the rest of our lives, as the books that we met in our childhood.
Her mother had once told her that childhood was a big, blue wave that lifted you up, carried you forth and, just when you thought it would last forever, vanished from sight. You could neither run after it nor bring it back. But the wave, before it disappeared, left a gift behind – a conch shell on the shore. Inside the seashell were stored all the sounds of childhood.
We live our childhoods at least twice. First, we live through them with eyes of wonderment, and then later in life we have to revisit them to understand what it all meant. As adults, artists often return to their childhood homes as a source of spiritual nourishment and in search of explanations for why they are as they are. Toni Morrison put it this way: “All water has a perfect memory and is forever trying to get back to where it was. Writers are like that: remembering where we were, what valley we ran through, what the banks were like, the light that was there and the route back to our original place. It is emotional memory — what the nerves and skin remember as well as how it appeared.
I am convinced that the greatest legacy we can leave our children are happy memories: those precious moments so much like pebbles on the beach that are plucked from the white sand and placed in tiny boxes that lay undisturbed on tall shelves until one day they spill out and time repeats itself, with joy and sweet sadness, in the child now an adult.
O, to be sure, we laugh less and play less and wear uncomfortable disguises like adults, but beneath the costume is the child we always are, whose needs are simple, whose daily life is still best described by fairy tales.
There are perhaps no days of our childhood we lived so fully as those we believe we left without having lived them, those we spent with a favorite book.
On no days of our childhood did we live so fully perhaps as those we thought we had left behind without living them, those that we spent with a favourite book.
In a sense, he thought, all we consist of is memories. Our personalities are constructed from memories, our lives are organized around memories, our cultures are built upon the foundation of shared memories that we call history and science.
We look at the world once, in childhood. The rest is memory. from Nostos.
Those faces on Main Street shaded by wide straw hats are surrounded in my child-memory by hardware and ploughs, seed bags and bales of cotton, the smell of guano and mule lots, hot sun on sidewalks and lovely white ladies with sweet childlike voices and smooth childlike faces, and Old gardens of boxwood and camellias, and fields endlessly curving around my small world. I know now that the bitterness, the cruel sensual lips, the quick fears in hard eyes, the sashshaying buttocks of brown girls, the thin childish voices of white women, had a great deal to do with high interest at the bank and low wages in the mills and gullied fields and lynchings and Ku Klux Klan and segregation and sacred womanhood and revivals, and Prohibition. And that no part of this memory can be understood without recalling it all of it.
Come on back and we’ll see if you remember the simplest thing of all – how it is to be children, secure in belief and thus afraid of the dark.
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