A common-place critic has something to say upon every occasion, and he always tells you either what is not true, or what you knew before, or what is not worth knowing. He is a person who thinks by proxy, and talks by rote. He differs with you, not because he thinks you are in the wrong, but because he thinks somebody else will think so. Nay, it would be well if he stopped here; but he will undertake to misrepresent you by anticipation, lest others should misunderstand you, and will set you right, not only in opinions which you have, but in those which you may be supposed to have.

¿No sabéis quiénes son los críticos? Aquellos que no han tenido éxito en la literatura y en el arte.

A wise skepticism is the first attribute of a good critic.

Creative writer has artistic sensibility. He observes the world like any common men. But his vision observes the world quite differently. He can perceive from life-experience what common man cannot see at all. This experience and observation get imaginative colours with the help of artistic sensibility. He creates a world of imaginative reality. His world is more beautiful and artistic than the real world. He is naturally gifted to create the work which has power to move or transport the reader. He gets his raw material from the life. He is critic of life. Criticism is a task of those who write on the creative writings. The word criticism has been derived from the Greek word Kritikos, which means ‘able to discern and judge’ and whoever does the act of judging is called Critic. Criticism is the art of judging the merits and demerits of creative composition.

In the words of Thomas De Quincey criticism may be termed as the literature of knowledge and creative writing as the literature of power. Literature of power deals with life, where as literature of knowledge share information on creative composition. Alexander Pope has rightly said:

“Both from Heaven derive their light These born to judge, as well as those to write.”

He gives equal value to both the critic and the creative writer. To him both are gifted writers, one to write creatively and the other to judge the creativity. But Dryden does not agree with the views of Pope. To him “the corruption of a poet is the generation of a critic.” He believed that those who cannot be good creative writer they become critics and corrupt creativity of the artists. Lessing believed that, “Not every critic is born a genius, but every genius is born a critic of art. He has within himself the evidence of all rules.” He gives respectful place to critics and criticism. He is of the belief that the critics are born genius to judge the work of art.

No critic can ever form accurate judgement unless he possesses the artist’s vision.

Critics are our friends, they show us our faults.

Not everyone is an artist but everyone is a fucking critic.

the most confident critics are generally those who know the least about the matter criticised.

One criticizes in others what one recognizes and despises in oneself. For example, an artist who is revolted by another’s ambitiousness.

Loyalty in a critic is corruption.

A man goes to the movies. The critic must admit that he is this man.

In many ways, the work of a critic is easy. We risk very little yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face is that, in the grand scheme of things, the average piece of junk is more meaningful than our criticism designating it so. ~ Anton Ego, Ratatouille

"How is he made? Oftentimes bitter, sometimes sweet, seldom even wide-awake, architectural criticism of "the modern" wholly lacks inspiration or any qualification because it lacks the appreciation that is love: the flame essential to profound understanding. Only as criticism is the fruit of such experience will it ever be able truly to appraise anything. Else the spirit of true criteria is lacking. That spirit is love and love alone can understand. So art criticism is usually sour and superficial today because it would seem to know all about everything but understand nothing. Usually the public prints afford no more than a kind of irresponsible journalese wholly dependent upon some form of comparison, commercialization or pseudo-personal opinion made public. Critics may have minds of their own, but what chance have they to use them when experience in creating the art they write about is rarely theirs? So whatever they may happen to learn, and you learn from them, is very likely to put over on both of you as it was put over on them. Truth is seldom in the critic; and either good or bad, what comes from him is seldom his. Current criticism is something to take always on suspicion, if taken at all."

Authors are partial to their wit, 'tis true,
But are not critics to their judgment, too?

The critic hates most that which he would have done himself if he had had the guts.