The subtlest change in New York is something people don’t speak much about but that is in everyone’s mind. The city, for the first time in its long history, is destructible. A single flight of planes no bigger than a wedge of geese can quickly end this island fantasy, burn the towers, crumble the bridges, turn the underground passages into lethal chambers, cremate the millions. The intimation of mortality is part of New York now: in the sound of jets overhead, in the black headlines of the latest edition.

Is is, therefore, not an exaggeration to say that if the city of New York were suddenly replaced by a ball of fire, some significant percentage of the American population would see a silver-lining in the subsequent mushroom cloud, as it would suggest to them that the best thing that is ever going to happen was about to happen: the return of Christ. It should be blindingly obvious that beliefs of this sort will do little to help us create a durable future for ourselves - socially, economically, environmentally, or geopolitically. Imagine the consequences if any significant component of the US government actually believed that the world was about to end and that its ending would be glorious. The fact that nearly half of the American population apparently believes this, purely on the basis of religion dogma, should be considered a moral and intellectual emergency.

All dwellers in cities must live with the stubborn fact of annihilation; in New York the fact is somewhat more concentrated because of the concentration of the city itself, and because, of all targets, New York has a certain clear priority. In the mind of whatever perverted dreamer might loose the lightning, New York must hold a steady, irresistible charm.

A hundred times have I thought New York is a catastrophe, and fifty times : It is a beautiful catastrophe.

City of prose and fantasy, of capitalist automation, its streets a triumph of cubism, its moral philosophy that of the dollar. New York impressed me tremendously because, more than any other city, it is the fullest expression of our modern age.

New York! The white prisons, the sidewalks swarming with maggots, the breadlines, the opium joints that are built like palaces, the kikes that are there, the lepers, the thugs, and above all, the ennui, the monotony of faces, streets, legs, houses, skyscrapers, meals, posters, jobs, crimes, loves... A whole city erected over a hollow pit of nothingness. Meaningless. Absolute meaningless.

New York, like London, seems to be a cloacina [toilet] of all the depravities of human nature.

New York is an ugly city, a dirty city. Its climate is a scandal, its politics are used to frighten children, its traffic is madness, its competition is murderous.
But there is one thing about it - once you have lived in New York and it has become your home, no place else is good enough.

Somewhere out there the world must have an end.

New York had all the iridescence of the beginning of the world.

New York is the concentrate of art and commerce and sport and religion and entertainment and finance, bringing to a single compact arena the gladiator, the evangelist, the promoter, the actor, the trader and the merchant. No one should come to New York to live unless he is willing to be lucky.

People have always been good at imagining the end of the world, which is much easier to picture than the strange sidelong paths of change in a world without end.

Our civilization is doomed to a short life: its component parts are too heterogeneous. I personally am content to see everything in the process of decay. The bigger the bombs, the quicker it will be done. The world is visually too hideous for one to make the attempt to preserve it. Let it go.

There are roughly three New Yorks. There is, first, the New York of the man or woman who was born here, who takes the city for granted and accepts its size and its turbulence as natural and inevitable. Second, there is the New York of the commuter — the city that is devoured by locusts each day and spat out each night. Third, there is the New York of the person who was born somewhere else and came to New York in quest of something. Of these three trembling cities the greatest is the last — the city of final destination, the city that is a goal. It is this third city that accounts for New York’s high-strung disposition, its poetical deportment, its dedication to the arts, and its incomparable achievements.