Yet Glory drags in chains behind her dazzling car
the obscure no less than the noble.
Confirm remove?
Yet Glory drags in chains behind her dazzling car
the obscure no less than the noble.
The stars that sparkled, and the cars that parkled, and the bars, and the barmen, were presently taken over by her
The love of glory is like the bridge that Satan built across Chaos to pass from Hell to Paradise: glory links the past with the future across a bottomless abyss. Nothing to my son, except my name!
Glory is largely a theatrical concept. There is no striving for glory without a vivid awareness of an audience — the knowledge that our mighty deeds will come to the ears of our contemporaries or “of those who are to be.” We are ready to sacrifice our true, transitory self for the imaginary eternal self we are building up, by our heroic deeds, in the opinion and imagination of others.
Military glory — that attractive rainbow, that rises in showers of blood — that serpent's eye, that charms to destroy...
glory follows virtue as its shadow; and deserting those who seek it, it seeks those who despise it.
A glorious something else awaits.
Whither goest thou, America, in thy shiny car in the night?
El orgullo de quien se cree hermosa daba a su andar un ritmo insolente.
Sometimes a kind of glory lights up the mind of a man. It happens to nearly everyone. You can feel it growing or preparing like a fuse burning toward dynamite. It is a feeling in the stomach, a delight of the nerves, of the forearms. The skin tastes the air, and every deep-drawn breath is sweet. Its beginning has the pleasure of a great stretching yawn; it flashes in the brain and the whole world glows outside your eyes. A man may have lived all of his life in the gray, and the land and trees of him dark and somber. The events, even the important ones, may have trooped by faceless and pale. And then -the glory- so that a cricket song sweetens his ears, the smell of the earth rises chanting to his nose, and dappling light under a tree blesses his eyes. Then a man pours outward, a torrent of him, and yet he is not diminished. And I guess a man's importance in the world can be measured by the quality and number of his glories. It is a lonely thing but it relates us to the world. It is the mother of all creativeness, and it sets each man separate from all other men.
This Nymph, to the destruction of mankind, Nourish'd two Locks, which graceful hung behind 20 In equal curls, and well conspir'd to deck With shining ringlets the smooth iv'ry neck.
Glory is largely a theatrical concept. There is no striving for glory without a vivid awareness of an audience... The desire to escape or camouflage their unsatisfactory selves develops in the frustrated a facility for pretending — for making a show — and also a readiness to identify themselves wholly with an imposing spectacle.
The stars are putting on their glittering belts,
They throw around their shoulders cloaks that flash
Like a great shadow's last embellishment
She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witch-men, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the pensive, as though it had been looking at the image of its own tenebrous and passionate soul.
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Pride perceiving humility honorable, often borrows her cloak.