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"It would all be done with keys on alphanumeric keyboards that stood for weightless, invisible chains of electronic presence or absence. If patterns of ones and zeroes were "like" patterns of human lives and deaths, if everything about an individual could be represented in a computer record by a long strings of ones and zeroes, then what kind of creature could be represented by a long string of lives and deaths? It would have to be up one level, at least — an angel, a minor god, something in a UFO. It would take eight human lives and deaths just to form one character in this being's name — its complete dossier might take up a considerable piece of history of the world. We are digits in God's computer, she not so much thought as hummed to herself to sort of a standard gospel tune, And the only thing we're good for, to be dead or to be living, is the only thing He sees. What we cry, what we contend for, in our world of toil and blood, it all lies beneath the notice of the hacker we call God."
Thomas Ruggles Pynchon, Jr. (born 8 May 1937) is an American writer based in New York City, known for his dense and complex works of fiction.
Biography information from Wikiquote
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As the day light left the city that night, the streetlamps were not up to anything like their usual candle-power. It was difficult to make anything out clearly. Ordinary social restraints were apt to be defective or not there at all. The screaming that went on all night, ignored as background murmur during the day, now, absent the clamor of street traffic, had taken on urgency and despair – a chorale of pain just about to pass from its realm of the invisible into something that might actually have to be dealt with. Figures which late at night appeared only in levels of grey were now seen to possess color, not the fashionable shades of daytime but blood reds, morgue yellows, and poison greens.
You go from dream to dream inside me. You have passage to my last shabby corner, and there, among the debris, you’ve found life. I’m no longer sure which of all the words, images, dreams or ghosts are ‘yours’ and which are ‘mine.’ It’s past sorting out.
For that moment at least they seemed to give up external plans, theories, and codes, even the inescapable romantic curiosity about one another, to indulge in being simply and purely young, to share that sense of the world's affliction, that outgoing sorrow at the spectacle of Our Human Condition which anyone this age regards as reward or gratuity for having survived adolescence.