In beauty of face no maiden ever equaled her. It was the radiance of an opium-dream - an airy and spirit-lifting vision more wildly divine than the fantasies which hovered about the slumbering souls of the daughters of Delos.

The light in her eyes was beyond description, yet it did not instill improper thoughts: it inspired a love tempered by awe, purifying the hearts it inflamed.

She moved with an impenetrable beauty, as if she was performing a solemn ritual.

She was beautiful, but not like those girls in magazines. She was beautiful, for the way she thought. She was beautiful, for the sparkle in her eyes when she talked about something she loved. She was beautiful, for her ability to make other people smile, even if she was sad. No, she wasn't beautiful for something as temporary as her looks. She was beautiful, deep down to her soul. She is beautiful.

I have called her beautiful, because it was her moral beauty that at once attracted me. True beauty after all consists in purity of heart.

As to her rank, she should be at the very least a princess, seeing that she is my lady and my queen. Her beauty is superhuman, for in it are realized all the impossible and chimerical attributes that poets are accustomed to give their fair ones. Her locks are golden, her brow the Elysian Fields, her eyebrows rainbows, her eyes suns, her cheeks roses, her lips coral, her teeth pearls, her neck alabaster, her bosom marble, her hands ivory, her complexion snow-white. As for those parts which modesty keeps covered from the human sight, it is my opinion that, discreetly considered, they are only to be extolled and not compared to any other.

Her degree at least that of Princess, for she is my Queen and mistress; her beauty superhuman, for in her are realized all the impossible and chimerical attributes of beauty which poets give to their ladies; that her hair is gold; her forehead the Elysian fields; her eyebrows rainbows; her eyes suns; her cheeks roses; her lips coral; her teeth pearls; her neck alabaster; her breast marble; her hands ivory; she is white as snow; and those parts which modesty has veiled from human sight are such, I think and believe, that discreet reflection can extol them, but make no comparison.

She’s a mortal danger without knowing it,
Undreamed of in her own dreams exquisite,
A roseleaf ambush where love lurks to seize
The unwary heart. The unwary eye that sees
Her smile sees pearled perfection. She can knit
Grace from a twine of air. The heavens sit
In every gesture. Of divinities, She’s most divine.

Her sculptured face was as perfect as a painting.

She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that's best of dark and bright
Meet in her aspect and her eyes:
Thus mellowed to that tender light
Which heaven to gaudy day denies.

One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o'er her face;
Where thoughts serenely sweet express
How pure, how dear their dwelling place.

And on that cheek, and o'er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!

it was somehow wonderful of her to be, in every detail, herself.

Her shining tresses, divided in two parts, encircle the harmonious contour of her white and delicate cheeks, brilliant in their glow and freshness. Her ebony brows have the form and charm of the bow of Kama, the god of love, and beneath her long silken lashes the purest reflections and a celestial light swim, as in the sacred lakes of Himalaya, in the black pupils of her great clear eyes. Her teeth, fine, equal, and white, glitter between her smiling lips like dewdrops in a passion-flower's half-enveloped breast. Her delicately formed ears, her vermilion hands, her little feet, curved and tender as the lotus-bud, glitter with the brilliancy of the loveliest pearls of Ceylon, the most dazzling diamonds of Golconda. Her narrow and supple waist, which a hand may clasp around, sets forth the outline of her rounded figure and the beauty of her bosom, where youth in its flower displays the wealth of its treasures; and beneath the silken folds of her tunic she seems to have been modelled in pure silver by the godlike hand of Vicvarcarma, the immortal sculptor.

She was dazzling — alight; it was agony to comprehend her beauty in a glance.

<b>She Was A Phantom of Delight</b>

She was a Phantom of delight
When first she gleam'd upon my sight;
A lovely Apparition, sent
To be a moment's ornament:
Her eyes as stars of twilight fair;
Like twilight's, too, her dusky hair;
But all things else about her drawn
From May-time and the cheerful dawn;
A dancing shape, an image gay,
To haunt, to startle, and waylay.

I saw her upon nearer view,
A Spirit, yet a Woman too!
Her household motions light and free,
And steps of virgin liberty;
A countenance in which did meet
Sweet records, promises as sweet;
A creature not too bright or good
For human nature's daily food,
For transient sorrows, simple wiles,
Praise, blame, love, kisses, tears, and smiles.

And now I see with eye serene
The very pulse of the machine;
A being breathing thoughtful breath,
A traveller between life and death:
The reason firm, the temperate will,
Endurance, foresight, strength, and skill;
A perfect Woman, nobly plann'd
To warn, to comfort, and command;
And yet a Spirit still, and bright
With something of an angel light.