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For her, finally, the literary art is an instrument of social salvation — it is her means of touching the world with her ideals, her love, her aspiration; for him the literary art is the avenue of escape from the meaningless chaos of existence — it is his subtly critical condemnation of the world.

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To me, literature is a calling, even a kind of salvation. It connects me with an enterprise that is over 2,000 years old. What do we have from the past? Art and thought. That’s what lasts. That’s what continues to feed people and give them an idea of something better.

This absence of literary culture is actually a marker of future blindness because it is usually accompanied by a denigration of history, a byproduct of unconditional neomania. Outside of the niche and isolated genre of science fiction, literature is about the past. We do not learn physics or biology from medieval textbooks, but we still read Homer, Plato, or the very modern Shakespeare.

In the art of literature there are two contending parties. Those who aim to tell stories that are more or less well thought out, and those who aim at beautiful language, beauty of form. This contest may last a very long time; each side has a fifty-fifty chance. Only the poet can rightfully demand that verse be beautiful and nothing but.

Literature is where I go to explore the highest and lowest places in human society and in the human spirit, where I hope to find not absolute truth but the truth of the tale, of the imagination and of the heart.

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