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“ ”The weight of the world is love. Under the burden of solitude, under the burden of dissatisfaction
the weight, the weight we carry is love.
Who can deny? In dreams it touches the body, in thought constructs a miracle, in imagination anguishes till born in human - looks out of the heart burning with purity - for the burden of life is love,
but we carry the weight wearily, and so must rest in the arms of love at last, must rest in the arms of love.
No rest without love, no sleep without dreams of love - be mad or chill obsessed with angels or machines, the final wish is love - cannot be bitter, cannot deny, cannot withhold if denied:
the weight is too heavy
- must give for no return as thought is given in solitude in all the excellence of its excess.
The warm bodies shine together in the darkness, the hand moves to the center of the flesh, the skin trembles in happiness and the soul comes joyful to the eye — yes, yes, that's what I wanted, I always wanted, I always wanted, to return to the body where I was born.
Irwin Allen Ginsberg (3 June 1926 – 5 April 1997) was an American poet born in Newark, New Jersey. He was a central figure among Beat Generation writers. Ginsberg is best known for "Howl", a long poem about consumer society's negative human values.
Biography information from Wikiquote
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Love is only a recognition of our own guilt and imperfection, and a supplication for forgiveness to the perfect beloved. This is why we love those who are more beautiful than ourselves, why we fear them, and why we must be unhappy lovers.
Who dreamt
and made incarnate gaps in Time & Space
through images juxtaposed,
and trapped the archangel of the soul between 2 visual images
and joined the elemental verbs and set the noun
and dash of consciousness together
jumping with sensation of Pater Omnipotens Aeterna Deus
to recreate the syntax and measure of poor human
prose and stand before you speechless and intelligent and shaking with shame
The grime was no man’s grime but death and human locomotives,
all that dress of dust, that veil of darkened railroad skin, that smog of cheek, that eyelid of black mis’ry, that sooty hand or phallus or protuberance of artificial worse-than-dirt — industrial — modern — all that civilization spotting your crazy golden crown — and those blear thoughts of death and dusty loveless eyes and ends and withered roots below, in the home-pile of sand and sawdust, rubber dollar bills, skin of machinery, the guts and innards of the weeping coughing car, the empty lonely tincans with their rusty tongues alack, what more could I name, the smoked ashes of some cock cigar, the cunts of wheelbarrows and the milky breasts of cars, wornout asses out of chairs & sphincters of dynamos — all these
entangled in your mummied roots — and you there standing before me in the sunset, all your glory in your form!