She wore flowers in her hair and carried magic secrets in her eyes. She spoke to no one. She spent hours on the riverbank. She smoked cigarettes and had midnight swims...

And her hair was a folded flower
And the quiet of love in her feet.

...and she put a wreath of white lilies round her hair, but every petal of the flowers was half a pearl;

She had eyes like strange sins.

She made up prayers and said them,
Worshipping unknown gods with unknown singing,
Her customary magic, which would cover
The white moon’s face and darken the sun with cloud.

Her shining tresses, divided in two parts, encircle the harmonious contour of her white and delicate cheeks, brilliant in their glow and freshness. Her ebony brows have the form and charm of the bow of Kama, the god of love, and beneath her long silken lashes the purest reflections and a celestial light swim, as in the sacred lakes of Himalaya, in the black pupils of her great clear eyes. Her teeth, fine, equal, and white, glitter between her smiling lips like dewdrops in a passion-flower's half-enveloped breast. Her delicately formed ears, her vermilion hands, her little feet, curved and tender as the lotus-bud, glitter with the brilliancy of the loveliest pearls of Ceylon, the most dazzling diamonds of Golconda. Her narrow and supple waist, which a hand may clasp around, sets forth the outline of her rounded figure and the beauty of her bosom, where youth in its flower displays the wealth of its treasures; and beneath the silken folds of her tunic she seems to have been modelled in pure silver by the godlike hand of Vicvarcarma, the immortal sculptor.

The old woman was a witch shadow — hair like matted spiderwebs, hooded ’round darkness of features, eyes like glittering jewels.

The heavy black she had worn for years was gone; her dress was of turquoise-colored silk, bright and soft as the evening sky. It belled out full from her hips, and all the skirt was embroidered with thin silver threads and seed pearls and tiny crumbs of crystal, so that it glittered softly, like rain in April. She looked at the magician, speechless. “Do you like it?” “Where — ” “It’s like a gown I saw a princess wear once, at the Feast of Sun-return in the New Palace in Havnor,” he said, looking at it with satisfaction. “You told me to show you something worth seeing. I show you yourself.

Her fine high forehead sloped gently up to where her hair, bordering it like an armorial shield, burst into lovelocks and waves and curlicues of ash blonde and gold. Her eyes were bright, big, clear, wet and shining, the colour of her cheeks was real, breaking close to the surface from the strong young pump of her heart. Her body hovered delicately on the last edge of childhood — she was almost eighteen, nearly complete, but the dew was still on her.

She learned her hands in a fairy-tale,
And her mouth on a valentine.

Her degree at least that of Princess, for she is my Queen and mistress; her beauty superhuman, for in her are realized all the impossible and chimerical attributes of beauty which poets give to their ladies; that her hair is gold; her forehead the Elysian fields; her eyebrows rainbows; her eyes suns; her cheeks roses; her lips coral; her teeth pearls; her neck alabaster; her breast marble; her hands ivory; she is white as snow; and those parts which modesty has veiled from human sight are such, I think and believe, that discreet reflection can extol them, but make no comparison.

She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witch-men, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the pensive, as though it had been looking at the image of its own tenebrous and passionate soul.

As to her rank, she should be at the very least a princess, seeing that she is my lady and my queen. Her beauty is superhuman, for in it are realized all the impossible and chimerical attributes that poets are accustomed to give their fair ones. Her locks are golden, her brow the Elysian Fields, her eyebrows rainbows, her eyes suns, her cheeks roses, her lips coral, her teeth pearls, her neck alabaster, her bosom marble, her hands ivory, her complexion snow-white. As for those parts which modesty keeps covered from the human sight, it is my opinion that, discreetly considered, they are only to be extolled and not compared to any other.

Her eyes as stars of Twilight fair;