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He was an old man, wore old man’s clothes, a flannel shirt and old man’s trousers, slippers and a hat, and had an old man’s gait, yet there was nothing old mannish about him, such as there was with my grandfather or my father’s uncle, Alf; on the contrary, when he suddenly opened up to us and wanted to show us things, it was in a kind of artless, childlike way, infinitely friendly, but also infinitely vulnerable, the way a boy without friends might behave when someone showed some interest in him, one might imagine, unthinkable in the case of my grandfather or Alf, it must have been at least sixty years since they had opened up to anyone like that, if indeed they ever had. But no, Hauge hadn’t really opened himself to us, it was more as if it had been his natural self which his rejection had been protecting when we arrived. I saw something I didn’t want to see because the person showing us was unaware of how it looked. He was more than eighty years old, but nothing in him had died or calcified, which actually makes life far too painful to live, that’s what I think now. At the time it just made me uneasy.

the others he wore simple work clothes — flannels and jeans with work boots. He was tall and handsome, with blue eyes and dirty-blond hair and a Donegal-style beard running along his broad jaw. He was athletically built with a charismatic, compelling look — like some rustic fashion model. And he had a vaguely familiar appearance. Grady felt certain he’d seen him somewhere before. Grady eyed the man warily. “Are you the foreman

The crippled old man in leggings and white ceremonial trousers shuffled out into the late afternoon. He dried his eyes on his sleeve and whimpered one last time in his throat. He was grown too old, he thought. He could not understand what had happened. But even his sorrow was feeble now; it had withered, like his leg, over the years, and only once in a while, when something unusual happened to remind him of it, did it take on the edge and point of pain.

The man was of fine figure, swarthy, and stern in aspect; and he showed in profile a facial angle so slightly inclined as to be almost perpendicular. He wore a short jacket of brown corduroy, newer than the remainder of his suit, which was a fustian waistcoat with white horn buttons, breeches of the same, tanned leggings, and a straw hat overlaid with black glazed canvas. At his back he carried by a looped strap a rush basket, from which protruded at one end the crutch of a hay-knife, a wimble for hay-bonds being also visible in the aperture. His measured, springless walk was the walk of the skilled countryman as distinct from the desultory shamble of the general labourer; while in the turn and plant of each foot there was, further, a dogged and cynical indifference personal to himself, showing its presence even in the regularly interchanging fustian folds, now in the left leg, now in the right, as he paced along.

The north wind and the sun were disputing which was the stronger, and agreed to acknowledge as the victor whichever of them could strip a traveler of his clothing. The wind tried first. But its violent gusts only made the man hold his clothes tightly around him, and when it blew harder still the cold made him so uncomfortable that he put on an extra wrap. Eventually the wind got tired of it and handed him over to the sun. The sun shone first with moderate warmth, which made the man take off his topcoat. Then it blazed fiercely, till, unable to stand the heat, he stripped and went off to a bathe in a nearby river. Persuasion is more effective than force.

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