The Rabbi thought he saw an expression of perplexity in the golem's eyes. It seemed to the Rabbi that his eyes were asking, 'Who am I? Why am I here? What is the secret of my being? Rabbi Leib often saw the same bewilderment in the eyes of newborn children and even in the eyes of animals.
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Sometimes a light glimmered out of the physician's eyes, burning blue and ominous, like the reflection of a furnace, or, let us say, like one of those gleams of ghastly fire that darted from Bunyan's awful doorway in the hill-side, and quivered on the pilgrim's face.
But when they made love he was offended by her eyes. They behaved as though they belonged to someone else. Someone watching. Looking out of the window at the sea. At a boat in the river. Or a passerby in the mist in a hat.
He was exasperated because he didn't know what that look <i>meant</i>. He put it somewhere between indifference and despair. He didn’t know that in some places, like the country that Rahel came from, various kinds of despair competed for primacy. And that <i>personal</i> despair could never be desperate enough. That something happened when personal turmoil dropped by at the wayside shrine of the vast, violent, circling, driving, ridiculous, insane, unfeasible, public turmoil of a nation. That Big God howled like a hot wind, and demanded obeisance. Then Small God (cozy and contained, private and limited) came away cauterized, laughing numbly at his own temerity. Inured by the confirmation of his own inconsequence, he became resilient and truly indifferent. Nothing mattered much. Nothing much mattered. And the less it mattered, the less it mattered. It was never important enough. Because Worse Things had happened. In the country that she came from, poised forever between the terror of war and the horror of peace, Worse Things kept happening.
So Small God laughed a hollow laugh, and skipped away cheerfully. Like a rich boy in shorts. He whistled, kicked stones. The source of his brittle elation was the relative smallness of his misfortune. He climbed into people’s eyes and became an exasperating expression.
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Once one had seen her eyes, the rest of the face grew vague, and when one tried to recall her image afterwards, only the piercing, questioning violence of the wide eyes remained.
The eyes themselves were of that baffling protean gray which is never twice the same; which runs through many shades and colorings like intershot silk in sunshine; which is gray, dark and light, and greenish gray, and sometimes of the clear azure of the deep sea. They were eyes that masked the soul with a thousand guises, and that sometimes opened, at rare moments, and allowed it to rush up as though it were about to fare forth nakedly into the world on some wonderful adventure — eyes that could brood with the hopeless somberness of leaden skies; that could snap and crackle points of fire like those that sparkle from a whirling sword; that could grow chill as an arctic landscape, and yet again, that could warm and soften and be all adance with love-lights, intense and masculine, luring and compelling, which at the same time fascinate and dominate women till they surrender in a gladness of joy and of relief and sacrifice.
Anything approaching the change that came over his features I have never seen before, and hope never to see again. Oh, I wasn't touched. I was fascinated. It was as though a veil had been rent. I saw on that ivory face the expression of sombre pride, of ruthless power, of craven terror — of an intense and hopeless despair. Did he live his life again in every detail of desire, temptation, and surrender during that supreme moment of complete knowledge? He cried in a whisper at some image, at some vision — he cried out twice, a cry that was no more than a breath:
The horror! The horror!
It is related that on one occasion the Prophet asked the archangel Gabriel to show himself in the 'mighty form' in which God created him. 'O Beloved of God,' said Gabriel, 'I have a terrifying form such as no one could look upon without being rapt from himself.' The Prophet insisted none the less, and Gabriel finally agreed to allow his angelic dimension to encompass earthly vision. There was a great rush of sound, as of a hurricane in full spate, and Gabriel appeared in his earth-crushing splendour so that his form blotted out the horizon. the Prophet fainted under the impact of this vision, whereupon the archangel resumed his earthly disguise, embraced the fallen man and kissed him, saying: 'Be not afraid, O Beloved of god, for I am thy brother Gabriel!' but he added: 'What would it have been like if you had seen Israfil (he who summons to the Last Judgement), for then my own form would have seemed to you a small and puny thing.
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I saw my Lord with the eye of the Lord. I asked 'Who art Thou?' and He answered 'Thou.
he painted my right eye, and as soon as it was finished I found myself looking at him and at everything around me with a great deal of curiosity, for this was my first glimpse of the world.
The eyes were of a color which he could never decide on, afterwards when he told the story he used to say they were the color of everything in Spring.
"When I was little, my Aunt Bigeois told me "If you look at yourself too long in the mirror, you'll see a monkey." I must have looked at myself even longer than that: what I see is well below the monkey, on the fringe of the vegetable world, at the level of jellyfish... The eyes especially are horrible seen so close. They are glassy, soft, blind, red-rimmed, they look like fish scales... A silky white down covers the great slopes of the cheeks, two hairs protrude from the nostrils: it is a geological embossed map. And, in spite of everything, this lunar world is familiar to me. I cannot say I recognize the details. But the whole thing gives me an impression of something seen before which stupefies me."
The eyes indicate the antiquity of the soul.
"Nevertheless, he had, on a certain star-lit evening, said wonderingly and quite reverently: "Deh moon looks like hell, don't it?
He was, of course, a piece of the sky. His eyes said so. This is not a face; this is the other part of knowing something, when there is no proof, but neither is there any way toward disbelief. Imagine lifting the lid from a jar and finding it filled not with darkness but with light. Bird was like that. Startling, elegant, alive.
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his fine and tender eyes filled her with terror. They seemed at times to be gazing into heaven and reflecting the bliss that they saw there. A moment later, one read in them the torments of the damned.
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