Sir, I admit your general rule,
That every poet is a fool,
But you yourself may serve to show it,
That every fool is not a poet.

Of those few fools, who with ill stars are curst,
Sure scribbling fools, called poets, fare the worst:
For they're a sort of fools which fortune makes,
And, after she has made them fools, forsakes.
With Nature's oafs 'tis quite a different case,
For Fortune favours all her idiot race.
In her own nest the cuckoo eggs we find,
Over which she broods to hatch the changeling kind:
No portion for her own she has to spare,
So much she dotes on her adopted care.
Poets are bubbles, by the town drawn in,
Suffered at first some trifling stakes to win:
But what unequal hazards do they run!
Each time they write they venture all they've won:
The Squire that's buttered still, is sure to be undone.
This author, heretofore, has found your favour,
But pleads no merit from his past behaviour.
To build on that might prove a vain presumption,
Should grant to poets made admit resumption,
And in Parnassus he must lose his seat,
If that be found a forfeited estate.

Whoever among you thinks himself wise must become a fool to be truly wise

Every fool stands convinced; and everyone convinced is a fool. The faultier a person's judgement the firmer their convictions.

All poets write bad poetry. Bad poets publish them, good poets burn them.

But then, poets are almost always wrong about facts. That’s because they are not really interested in facts: only in truth: which is why the truth they speak is so true that even those who hate poets by simple natural instinct are exalted and terrified by it.
No: that’s wrong. It’s because you dont dare to hope, you are afraid to hope. Not afraid of the extent of hope of which you are capable, but that you — the frail web of bone and flesh snaring that fragile temeritous boundless aspirant sleepless with dream and hope — cannot match it; as Ratliff would say, Knowing always you wont never be man enough to do the harm and damage you would do if you were just man enough. — and, he might add, or maybe I do it for him, thank God for it. Ay, thank God for it or thank anything else for it that will give you any peace after it’s too late; peace in which to coddle that frail web and its unsleeping ensnared anguish both on your knee and whisper to it: There, there, it’s all right; I know you are brave.

Fact is not truth, but a poet who willfully defies fact cannot achieve truth.

When I hear a critic speaking of an author’s sincerity I know that either the critic or the author is a fool

The fool doth think he is wise, yet it is the wise man that knows himself to be the fool As You Like It, Act 5, Scene 1

This fellow is wise enough to play the fool;
And to do that well craves a kind of wit:
He must observe their mood on whom he jests,
The quality of persons, and the time,
And, like the haggard, check at every feather
That comes before his eye. This is a practise
As full of labour as a wise man's art
For folly that he wisely shows is fit;
But wise men, folly-fall'n, quite taint their wit.

Probably I am a fool…most poets are fools…but for some reason I love faith, but have none.

There is no poetry where there are no mistakes.

Out with it, Dunciad: let the secret pass -
That secret to each fool - that he's an ass.
The truth once told (and whereby should we lie?),
The queen of Midas slept, and so may I.
You think this cruel? Take it for a rule,
No creature smarts so little as a fool.

The wisest men follow their own direction
And listen to no prophet guiding them.
None but the fools believe in oracles,
Forsaking their own judgment.