History was fact,
History was a cannon, not a lizard; De Grasse

leaving Martinique, and Rodney crouching to act
in the right wind. Iounalo, my royal arse!
Hewanorra, my hole! Was the greatest battle

in naval history, which put the French to rout,
fought for a creature with a disposable tail
and elbows like a goalie?

Your wanderer is a phantom from the boy's shore.

Mark you, he does not go; he sends his narrator;
he plays tricks with time because there are two journeys
in every odyssey, one on worried water,

the other crouched and motionless, without noise.
For both, the 'I' is a mast; a desk is a raft
for one, foaming with paper, and dipping the beak

of a pen in its foam, while an actual craft
carries the other to cities where people speak
a different language, or look at him differently,

while the sun rises from the other direction
with its unsettling shadows, but the right journey
is motionless; as the sea moves round an island

that appears to be moving, Jove moves round the heart
with encircling salt, and the slowly travelling hand
knows it returns to the port from which it must start.

Therefore, this is what this island has meant to you,
why my bust spoke, why the sea-swift was sent to you:
to circle yourself and your island with this art.

Love After Love

The time will come
when, with elation
you will greet yourself arriving
at your own door, in your own mirror
and each will smile at the other's welcome,

and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you

all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,

the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.