You’re pretty full of yourself. You’re marveling at the tragic spectacle of Caleb Trask — Caleb the
magnificent, the unique. Caleb whose suffering should have its Homer. Did you ever think of yourself
as a snot-nose kid — mean sometimes, incredibly generous sometimes? Dirty in your habits, and
curiously pure in your mind. Maybe you have a little more energy than most, just energy, but outside
of that you’re very like all the other snot-nose kids. Are you trying to attract dignity and tragedy to
yourself because your mother was a whore? And if anything should have happened to your brother,
will you be able to sneak for yourself the eminence of being a murderer, snot-nose?
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My nose is Gargantuan! You little Pig-snout, you tiny Monkey-Nostrils, you virtually invisible Pekinese-Puss, don't you realize that a nose like mine is both scepter and orb, a monument to me superiority? A great nose is the banner of a great man, a generous heart, a towering spirit, an expansive soul — such as I unmistakably am, and such as you dare not to dream of being, with your bilious weasel's eyes and no nose to keep them apart! With your face as lacking in all distinction — as lacking, I say, in interest, as lacking in pride, in imagination, in honesty, in lyricism — in a word, as lacking in nose as that other offensively bland expanse at the opposite end of your cringing spine — which I now remove from my sight by stringent application of my boot!
In ways that certain of us are uncomfortable about, SNOOTs’ attitudes about contemporary usage resemble religious/political conservatives’ attitudes about contemporary culture. We combine a missionary zeal and a near-neural faith in our beliefs’ importance with a curmudgeonly hell-in-a-handbasket despair at the way English is routinely manhandled and corrupted by supposedly educated people. The Evil is all around us: boners and clunkers and solecistic howlers and bursts of voguish linguistic methane that make any SNOOT’s cheek twitch and forehead darken. A fellow SNOOT I know likes to say that listening to most people’s English feels like watching somebody use a Stradivarius to pound nails: We are the Few, the Proud, the Appalled at Everyone Else.
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And Jakub realized that this child had done no harm, that he was not guilty of anything, and yet had been born with bad eyes and would have them forever. And he reflected further that what he had held against others was something given, something they came into the world with and carried with them like a heavy wire fence. He reflected that he had no privileged right to high-mindedness and that the highest degree of high-mindedness is to love people even though they are murderers.
Same thing with the distinction Johnnie made between good kids and bad kids — the distinction didn’t compute in my head. It seemed based on a premise that defied my experience, an assumption that children could somehow set the terms of their own development. I thought about Bernadette’s five-year-old son, scampering about the broken roads of Altgeld, between a sewage plant and a dump. Where did he sit along the spectrum of goodness? If he ended up in a gang or in jail, would that prove his essence somehow, a wayward gene … or just the consequences of a malnourished world? And
But are his needs any more shocking than the needs of other animals and men? Are his deeds more outrageous than the deeds of the parent who drained the spirit from his child? The vampire may foster quickened heartbeats and levitated hair. But is he worse than the parent who gave to society a neurotic child who became a politician?
It's a funny thing about mothers and fathers. Even when their own child is the most disgusting little blister you could ever imagine, they still think that he or she is wonderful.
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"Catastrophe! Of course! Last judgement! Horseshit! It's you that are the catastrophe, you're the bloody last judgement, your feet don't even touch the ground, you bunch of sleepwalkers. I wish you were dead, the lot of you. Let's make a bet,' and here he shook Nadaban by the shoulders, ‘that you don't even know what I'm talking about!! Because you don't talk, you "whisper" or "expostulate"; you don't walk down the street but "proceed feverishly"; you don't enter a place but "cross its threshold", you don't feel cold or hot, but "find yourselves shivering" or "feeling the sweat pour down you"! I haven't heard a straight word for hours, you can only mew and caterwaul; because if a hooligan throws a brick through your window you invoke the last judgement, because your brains are addled and filled up with steam, because if someone sticks your nose in shit all you do is sniff, stare and cry "sorcery!
Whatever tears one may shed, in the end one always blows one's nose.
Which instigates the moral reflection that life is made up of sobs, sniffles, and smiles, with sniffles predominating.
I think I can,” Lee answered Samuel. “I think this is the best-known story in the world because it is everybody’s story. I think it is the symbol story of the human soul. I’m feeling my way now — don’t jump on me if I’m not clear. The greatest terror a child can have is that he is not loved, and rejection is the hell he fears. I think everyone in the world to a large or small extent has felt rejection. And with rejection comes anger, and with anger some kind of crime in revenge for the rejection, and with the crime guilt — and there is the story of mankind. I think that if rejection could be amputated, the human would not be what he is. Maybe there would be fewer crazy people. I am sure in myself there would not be many jails. It is all there — the start, the beginning. One child, refused the love he craves, kicks the cat and hides his secret guilt; and another steals so that money will make him loved; and a third conquers the world — and always the guilt and revenge and more guilt. The human is the only guilty animal. Now wait! Therefore I think this old and terrible story is important because it is a chart of the soul — the secret, rejected, guilty soul. Mr. Trask, you said you did not kill your brother and then you remembered something. I don’t want to know what it was, but was it very far apart from Cain and Abel? And what do you think of my Oriental patter, Mr. Hamilton? You know I am no more Oriental than you are.
A great nose may be an index
Of a great soul
"Sometimes when a father has an ugly, loutish son, the love he bears him so blindfolds his eyes that he does not see his defects, or, rather, takes them for gifts and charms of mind and body, and talks of them to his friends as wit and grace. I, however — for though I pass for the father, I am but the stepfather to "Don Quixote" — have no desire to go with the current of custom, or to implore thee, dearest reader, almost with tears in my eyes, as others do, to pardon or excuse the defects thou wilt perceive in this child of mine. Thou art neither its kinsman nor its friend, thy soul is thine own and thy will as free as any man's, whate'er he be, thou art in thine own house and master of it as much as the king of his taxes and thou knowest the common saying, "Under my cloak I kill the king;" all which exempts and frees thee from every consideration and obligation, and thou canst say what thou wilt of the story without fear of being abused for any ill or rewarded for any good thou mayest say of it."
A book is a sneeze.
Tis a long journey, Sir, replied the master of the inn — — unless a man has great business. — — Tut! tut! said the stranger, I have been at the promontory of Noses; and have got me one of the goodliest, thank Heaven, that ever fell to a single man’s lot.
Whilst the stranger was giving this odd account of himself, the master of the inn and his wife kept both their eyes fixed full upon the stranger’s nose — — By saint Radagunda, said the inn-keeper’s wife to herself, there is more of it than in any dozen of the largest noses put together in all Strasburg! is it not, said she, whispering her husband in his ear, is it not a noble nose?
’Tis an imposture, my dear,' said the master of the inn — — ’tis a false nose.'
’Tis a true nose,' said his wife.
’Tis made of fir-tree,' said he, I smell the turpentine. — —
'There’s a pimple on it,' said she.
’Tis a dead nose,' replied the inn-keeper.
’Tis a live nose, if I am alive myself,' said the inn-keeper’s wife.
The stranger had not got half a league on his way towards Frankfort before were just ringing to call the Strasburgers to their devotions, and shut up the duties of the day in prayer: — no soul in all Strasburg heard ’em — the city was like a swarm of bees — — men, women, and children, (the Compline bells tinkling all the time) flying here and there — in at one door, out at another — — this way and that way — long ways and cross ways — up one street, down another street — — in at this alley, out of that — — did you see it? did you see it? did you see it? O! did you see it? — — who saw it? who did see it? for mercy’s sake, who saw it?
Alack o’day! I was at vespers! — I was washing, I was starching, I was scouring, I was quilting — — God help me! I never saw it — — I never touch’d it! — — would I had been a centinel, a bandy-legg’d drummer, a trumpeter, a trumpeter’s wife, was the general cry and lamentation in every street and corner of Strasburg.
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