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"When it came time for me to go to bed, my mother beckoned me to her, and kissed me, and whispered, "I know I'll never have another anxious moment with my own dear laddie." I pondered these words before I went to sleep. How could I reconcile this motherliness with the screeching fury who had pursued me around the kitchen with a whip, flogging me until she was gorged with — what? Vengeance? What was it? Once, when I was in my thirties and reading Freud for the first time, I thought I knew. I am not so sure I know now. But what I knew then was that nobody — not even my mother — was to be trusted in a strange world that showed very little of itself on the surface."
Robertson Davies CC (August 28 1913 – December 2 1995) was a Canadian novelist, playwright, critic, journalist and professor.
Biography information from Wikiquote
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But what I knew then was that nobody — not even my mother — was to be trusted in a strange world that showed very little of itself on the surface.
At school I was a nuisance, for my father was now Chairman of our Continuation School Board, and I affected airs of near-equality with the teacher that must have galled her; I wanted to argue about everything, expand everything, and generally turn every class into a Socratic powwwow instead of getting on with the curriculum. Probably I made her nervous, as a pupil full of green, fermenting information is so well able to do. I have dealt with many innumerable variations of my younger self in classrooms since then, and have mentally apologized for my tiresomeness.
Nevertheless, he was caught in its magic and he understood, what he had not known before, that much of the magic of a great theatrical moment is created by the audience itself, a magic impalpable but vividly present, and that what begins as trickery of lights and paint is enlarged and made fine by the response of the beholders. There are no great performances without great audiences, and this is the barrier that film and television, by their utmost efforts, cannot cross, for there can be no interaction between what is done, and those to whom it is done. Great theatre, great music-drama is created again and again on both sides of the footlights.
There is absolutely no point in sitting down to write a book unless you feel that you must write that book, or else go mad, or die.