Back out of all this now too much for us,
Back in a time made simple by the loss
Of detail, burned, dissolved, and broken off
Like graveyard marble sculpture in the weather,
There is a house that is no more a house
Upon a farm that is no more a farm
And in a town that is no more a town.
The road there, if you’ll let a guide direct you
Who only has at heart your getting lost,
May seem as if it should have been a quarry — Great monolithic knees the former town
Long since gave up pretense of keeping covered.
And there’s a story in a book about it:
Besides the wear of iron wagon wheels
The ledges show lines ruled southeast-northwest,
The chisel work of an enormous Glacier
That braced his feet against the Arctic Pole.
You must not mind a certain coolness from him
Still said to haunt this side of Panther Mountain.
Nor need you mind the serial ordeal
Of being watched from forty cellar holes
As if by eye pairs out of forty firkins.
As for the woods’ excitement over you
That sends light rustle rushes to their leaves,
Charge that to upstart inexperience.
Where were they all not twenty years ago?
They think too much of having shaded out
A few old pecker-fretted apple trees.
Make yourself up a cheering song of how
Someone’s road home from work this once was,
Who may be just ahead of you on foot
Or creaking with a buggy load of grain.
The height of the adventure is the height
Of country where two village cultures faded
Into each other. Both of them are lost.
And if you’re lost enough to find yourself
By now, pull in your ladder road behind you
And put a sign up CLOSED to all but me.
Then make yourself at home. The only field
Now left’s no bigger than a harness gall.
First there’s the children’s house of make-believe,
Some shattered dishes underneath a pine,
The playthings in the playhouse of the children.
Weep for what little things could make them glad.
Then for the house that is no more a house,
But only a belilaced cellar hole,
Now slowly closing like a dent in dough.
This wa

One by one the lights burned out, like long lives come to their expected ends. Then there was a dark house made once of time, made now of weather, and harder to find; impossible to find and not even as easy to dream of as when it was alight. Stories last longer, but only by becoming only stories. It was anyway all a long time ago; the world, we know now, is as it is and not different; if ever there was a time when there were passages, doors, the borders open and many crossing; that time is not now. The world is older than it was. Even the weather isn't as we remember it clearly once being; never lately does there come a summer day such as we remember, never clouds as white as that, never grass as odorous and shade as deep and full of promise as we remember they can be, as once upon a time they were.

To his eyes all seemed beautiful, but to me a tinge of melancholy lay upon the countryside, which bore so clearly the mark of the waning year, Yellow leaves carpeted the lanes and fluttered down upon us as we passed, The rattle of our wheels died away as we drove through drifts of rotting vegetation — sad gifts, as it seemed to me, for Nature to throw before the carriage of the returning heir of the Baskervilles.

The longer one stays here the more does the spirit of the moor sink into one’s soul, its vastness, and also its grim charm. When you are once out upon its bosom you have left all traces of modern England behind you, but on the other hand you are conscious everywhere of the homes and the work of prehistoric people. On all sides of you as you walk are the houses of these forgotten folk, with their graves and the huge monoliths which are supposed to have marked their temples. As you look at their grey stone huts against the scarred hillsides you leave your own age behind you, and if you were to see a skin-clad, hairy man crawl out from the low door, fitting a flint-tipped arrow on to the string of his bow, you would feel that the presence there was more natural than your own. The strange thing is that they should have lived so thickly on what must always have been most unfruitful soil. I am no antiquarian, but I could imagine that they were some unwarlike and harried race who were forced to accept that which none other would occupy.

It was as if the boy had already divined what his senses and intellect had not encompassed yet: that doomed wilderness whose edges were being constantly and punily gnawed at by men with plows and axes who feared it because it was wilderness, men myriad and nameless even to one another in the land where the old bear had earned a name, and through which ran not even a mortal beast but an anachronism indomitable and invincible out of an old dead time, a phantom, epitome and apotheosis of the old wild life which the little puny humans swarmed and hacked at in fury of abhorrence and fear like pygmies about the ankles of a drowsing elephant; — the old bear, solitary, indomitable, and alone; widowered childless and absolved of mortality — old Priam reft of his old wife and outlived all his sons.

It's a funny old world.

Forty years spent in wandering in a wilderness like that of the present is not a sad fate — unless one attempts to make himself believe that the wilderness is after all itself the promised land

And I felt next to nothing as I walked to the village; I paid my respects to the countryside yet was unable to detect solemn sympathy in its quiet or reproach in its stillness. Usually that road brought me miles of footage from the past: the bright-faced ten-year-old running for the Oxford bus; the lardy pubescent, out on soul-rambles (i.e. sulks), or off for a wank in the woods; the youth, handsomely reading Tennyson on summer evenings, or trying to kill birds with feeble, rusted slug-guns, or behind the hedge smoking fags with Geoffrey, then hawking in the ditch. But now I strode it vacantly, my childhood nowhere to be found.

And thither, ere sweet night had slain sweet day,
Iseult and Tristram took their wandering way,
And rested, and refreshed their hearts with cheer
In hunters' fashion of the woods; and here
More sweet it seemed, while this might be, to dwell
And take of all world's weariness farewell
Than reign of all world's lordship queen and king.
Nor here would time for three moon's changes bring
Sorrow nor thought of sorrow; but sweet earth
Fostered them like her babes of eldest birth,
Reared warm in pathless woods and cherished well.
And the sun sprang above the sea and fell,
And the stars rose and sank upon the sea;
And outlaw-like, in forest wise and free,
The rising and the setting of their lights
Found those twain dwelling all those days and nights.
And under change of sun and star and moon
Flourished and fell the chaplets woven of June,
And fair through fervours of the deepening sky
Panted and passed the hours that lit July,
And each day blessed them out of heaven above,
And each night crowned them with the crown of love.
Nor till the might of August overhead
Weighed on the world was yet one roseleaf shed
Of all their joy's warm coronal, nor aught
Touched them in passing ever with a thought
That ever this might end on any day
Or any night not love them where they lay;
But like a babbling tale of barren breath
Seemed all report and rumour held of death,
And a false bruit the legend tear impearled
That such a thing as change was in the world.

"A Walk in the Country"

To walk anywhere in the world, to live
now, to speak, to breathe a harmless
breath: what snowflake, even, may try
today so calm a life,
so mild a death?

Out in the country once,
walking the hollow night,
I felt a burden of silver come:
my back had caught moonlight
pouring through the trees like money.

That walk was late, though.
Late, I gently came into town,
and a terrible thing had happened:
the world, wide, unbearably bright,
had leaped on me. I carried mountains.

Though there was much I knew, though
kind people turned away,
I walked there ashamed — into that still picture
to bring my fear and pain.

By dawn I felt all right;
my hair was covered with dew;
the light was bearable; the air
came still and cool.
And God had come back there
to carry the world again.

Since then, while over the world
the wind appeals events,
and people contend like fools,
like a stubborn tumbleweed I hold,
hold where I live, and look into every face:

Oh friends, where can one find a partner
for the long dance over the fields?

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I — I took the one less traveled by,
And that has made all the difference.

"The Garden of Proserpine"

Here, where the world is quiet;
Here, where all trouble seems
Dead winds' and spent waves' riot
In doubtful dreams of dreams;
I watch the green field growing
For reaping folk and sowing,
For harvest-time and mowing,
A sleepy world of streams.

I am tired of tears and laughter,
And men that laugh and weep;
Of what may come hereafter
For men that sow to reap:
I am weary of days and hours,
Blown buds of barren flowers,
Desires and dreams and powers
And everything but sleep.

Here life has death for neighbour,
And far from eye or ear
Wan waves and wet winds labour,
Weak ships and spirits steer;
They drive adrift, and whither
They wot not who make thither;
But no such winds blow hither,
And no such things grow here.

No growth of moor or coppice,
No heather-flower or vine,
But bloomless buds of poppies,
Green grapes of Proserpine,
Pale beds of blowing rushes
Where no leaf blooms or blushes
Save this whereout she crushes
For dead men deadly wine.

Pale, without name or number,
In fruitless fields of corn,
They bow themselves and slumber
All night till light is born;
And like a soul belated,
In hell and heaven unmated,
By cloud and mist abated
Comes out of darkness morn.

Though one were strong as seven,
He too with death shall dwell,
Nor wake with wings in heaven,
Nor weep for pains in hell;
Though one were fair as roses,
His beauty clouds and closes;
And well though love reposes,
In the end it is not well.

Pale, beyond porch and portal,
Crowned with calm leaves, she stands
Who gathers all things mortal
With cold immortal hands;
Her languid lips are sweeter
Than love's who fears to greet her
To men that mix and meet her
From many times and lands.

She waits for each and other,
She waits for all men born;
Forgets the earth her mother,
The life of fruits and corn;
And spring and seed and swallow
Take wing for her and follow
Where summer song rings hollow
And flowers are put to scorn.

There go the loves that wither,
The old loves with wearier wi

And that was the way it was in the old days before the country grew up and men put their guns away. Someday, and I hope it never comes, there may be a time when the Western hills are empty again and the land will go back to wilderness and the old, hard ways. Enemies may come into our country and times will have changed, but then the boys will come down from the old high hills and belt on their guns again. They can do it if they have to. The guns are hung up, the cows roam fat and lazy, but the old spirit is still there, just as it was when the longhorns came up the trail from Texas, and the boys washed the creeks for gold.

...the very old men [...] believing that they had danced with her and courted her perhaps, confusing time with its mathematical progression, as the old do, to whom all the past is not a diminishing road but, instead, a huge meadow which no winter ever quite touches, divided from them now by the narrow bottle-neck of the most recent decade of years.