She had been living like a hermit herself, in a cramped, seedy apartment in Somerville, spending long hours in the lab. All-nighters had become a regular thing. She didn't have any close friends, didn't go out on dates, didn't even go to the movies by herself. She had sacrificed a normal life in order to get a PhD, and become a scientist.

[She] personally tended the unhappy and impoverished victims of hunger and disease. I have often seen her washing wounds which others – even men – could hardly bear to look at ... She founded a hospital and gathered there the sufferers from the streets, and gave them all the attention of a nurse... How often she carried home, on her shoulders, the dirty and poor who were plagued with epilepsy! How she washed the pus from sores which others could not even behold.

From that time on she lived in lonely caves.

She wanted to die, but she also wanted to live in Paris.

Satin occupied a couple of rooms which a chemist had furnished for her in order to rescue her from the clutches of the police; but in little over a year she had broken the furniture, knocked in the chairs and dirtied the curtains in such a frenzy of filth and disorder that the two rooms looked as if they were inhabited by a pack of mad cats.

She longed for cutlasses, pistols, and brandy; she had to make do with coffee, and pencils, and verbs.

It was over these few worthless papers that she brooded and brooded. She lived in her past life-every letter seemed to recall some circumstance of it. How well she remembered them all! His looks and tones, his dress, what he said and how-these relics and remembrances of dead affection were all that were left her in the world. And the business of her life, was-to watch the corpse of Love.

Life was about to take her away from here. Fro the place where she'd become herself. This sold little village that never changed but helped its inhabitants to change. She's arrived straight from art college full of avant-garde ideas, wearing shades of gray and seeing the world in black and white. So sure of herself. But here, in the middle of nowhere, she'd discovered color. And nuance. She'd learned this from the villagers, who'd been generous enough to lend her their souls to paint. Not as perfect human beings, but as flawed, struggling men and women. Filled with fear and uncertainty and, in at least one case, martinis.

Boo was our neighbor. He gave us two soap dolls, a broken watch and chain, a pair of good-luck pennies, and our lives.

I didn't mind what she called me, what anybody called me. But this was the room I had to live in. It was all I had in the way of a home. In it was everything that was mine, that had any association for me, any past, anything that took the place of a family. Not much: a few books, pictures, radio, chessmen, old letters, stuff like that. Nothing. Such as they were, they had all my memories.

She travelled all over the world while sitting in her little room in an English village.

She had been born to cradle other people's children, wear their hand-me-down clothing, eat their leftovers, live on borrowed happiness and grief, grow old beneath other people's roofs, die one day in her miserable little room in the far courtyard in a bed that did not belong to her, and be buried in a common grave in the public cemetery.

I grew up with a disabled dad in a too-small house with not much money in a starting-to-fail neighborhood, and I also grew up surrounded by love and music in a diverse city in a country where an education can take you far. I had nothing or I had everything. It depends on which way you want to tell it.

She tried to persuade them to confine their tributes to flowers and sweets, which had at least the merit of mortality; but she was never successful, and the house was gradually filled with a collection of foot-warmers, cushions, clocks, screens, barometers and vases, a constant repetition and a boundless incongruity of useless but indestructible objects.